Zobrazeno 1 - 10
of 2 541
pro vyhledávání: '"Composizione architettonica"'
Autor:
Chioni, Chiara
Over the past three decades, the digital and information revolution has reshaped design methodologies, offering dynamic and multi-level modelling approaches. Urban Digital Twins have emerged as a powerful tool for Smart Cities, facilitating scenario
Externí odkaz:
https://hdl.handle.net/11572/430590
Autor:
Eliana Martinelli
Publikováno v:
Diségno, Iss 13 (2023)
A partire dal celebre saggio di Henri Focillon Eloge de la main [1939] e dal più recente libro Making: Anthropology, Archaeology, Art and Architecture di Tim Ingold [2013], con il supporto di considerazioni filosofiche e antropologiche, il contribut
Externí odkaz:
https://doaj.org/article/738ab8af21c3477d89cd3dea55085939
Autor:
Lamberto Amistadi
Publikováno v:
Festival dell'Architettura Magazine, Vol 0, Iss 59-60, Pp 46-54 (2022)
This essay traces the fundamental relationship between architecture as a discipline and a work of architecture. Architecture and works of architecture are constantly swapping places within a circle, an experience which, over time, has built up and gr
Externí odkaz:
https://doaj.org/article/23265064f2b744d2a70791fe27a9ca66
Autor:
Andrea Alberto Dutto
Publikováno v:
Festival dell'Architettura Magazine, Vol 0, Iss 59-60, Pp 93-101 (2022)
Mario Ridolfi uses drawing to explore constructive themes and also as a hallmark of his personal poetics. The point of convergence between technique and poetics is manifested, in particular, in the use of two tools: the abacus and the node. The abacu
Externí odkaz:
https://doaj.org/article/49f3f012556b48cc9a9c932d30d0080a
Autor:
Chiara Vernizzi, Enrico Prandi
Publikováno v:
Festival dell'Architettura Magazine, Vol 0, Iss 59-60, Pp 9-17 (2022)
Is there still a need to reflect on a classic theme of the disciplinary research of architecture such as the relationship between design and project? We think so, for a few reasons. It is no coincidence that many architects – defined Masters for th
Externí odkaz:
https://doaj.org/article/10fd4f34d852472b87d5a9b341922206
Autor:
Guido Canella
Publikováno v:
Festival dell'Architettura Magazine, Vol 0, Iss 59-60, Pp 18-45 (2022)
In 1997 Guido Canella, professor of Theories and techniques of architectural design at the Faculty of Civil Architecture of Milan Bovisa, held a lecture on drawing in Architecture. The Wednesday lessons had become the central moment of the newborn Sc
Externí odkaz:
https://doaj.org/article/ef330c7434f24941bdd861556d8b9290
Autor:
Laura Pujia
Publikováno v:
Festival dell'Architettura Magazine, Vol 0, Iss 59-60, Pp 109-116 (2022)
Among the various interpretations that architectural drawings can take on, this essay focuses on one particular type, understood as an intimate manifestation of a specific compositional process. Post-war Italian culture has been testimony to that usa
Externí odkaz:
https://doaj.org/article/d081300d35b042ab915a3eea6c281a94
Autor:
Raffaella Neri
Publikováno v:
Festival dell'Architettura Magazine, Vol 0, Iss 59-60, Pp 86-92 (2022)
This essay describes the relationship between drawing and design in the work of Antonio Monestiroli. Precision and essentiality are the hallmarks of his works of architecture, which also governed his ways of drawing, a design tool focused on technica
Externí odkaz:
https://doaj.org/article/fdcc3c10f0fb456a9f10f750bf95deb9
Autor:
Marvin Cukaj
Publikováno v:
Festival dell'Architettura Magazine, Vol 0, Iss 61, Pp 127-128 (2023)
Review of the books Author: Raffaella Neri Title: Il filo di un pensiero Subtitle: scritti, appunti, lezioni Language: italian Publisher: CLEAN edizioni Characteristics: formato 16x24 cm, 202 pagine, brossura, black and white ISBN: 9788884976765 Ye
Externí odkaz:
https://doaj.org/article/2db633716c1e4402bda26d28b87dc99e
Autor:
Lamberto Amistadi
Publikováno v:
Festival dell'Architettura Magazine, Vol 0, Iss 54, Pp 11-20 (2021)
In his Aesthetic Lessons, Hegel says that "man doubles himself”: he exists in himself as a natural object and exists because he manages to in turn produce other objects. This production, the production of what-we-see, uses a know-how which, in a ce
Externí odkaz:
https://doaj.org/article/f24611b4c15a4260a71ec909dec61682