Zobrazeno 1 - 8
of 8
pro vyhledávání: '"Colonial Latin American Art- Mexico and Peru"'
Autor:
Alessia Frassani
Publikováno v:
Historia y Sociedad, Iss 35, Pp 61-86 (2018)
The paper proposes a new approach and a new analysis of the Virgen de Chiquinquirá, the most famous religious image in Colombia, produced around 1550 in the Eastern Cordillera within the context of the local indigenous Muisca religion. The analysis
Externí odkaz:
https://doaj.org/article/fa432a392370495b8f6fa2dcafadb3e2
Publikováno v:
Historia y Sociedad, Iss 35, Pp 11-29 (2018)
Presentation made by the editor-director an the guest editors for issue 35. This article deals with the relations between craftwork, material culture and religious devotion in the Nuevo Reino de Granada; explains and defines the role that met the cr
Externí odkaz:
https://doaj.org/article/47cb5f20dada47b583989569310b5d25
Publikováno v:
Historia y Sociedad, Iss 35, Pp 271-288 (2018)
The testaments and codicil transcribed and analyzed in this section belong to the painter Pedro Tello, native of Quito and neighbor of Popayán. These documents were written in the mid-18th century and the early 19th century. The particular life of P
Externí odkaz:
https://doaj.org/article/b0d1c3104c4a415dab461ab44fe16814
Publikováno v:
Historia y Sociedad, Iss 35, Pp 139-169 (2018)
This paper discusses the activity of gilders in two major artistic centers of the north of the Virreinato del Perú during the 17th century: Santafé (Bogotá, Colombia) and Quito. The presence of gilders was essential for the completion of the perfe
Externí odkaz:
https://doaj.org/article/9b033251501346138425488736aca142
Autor:
Rebeca Vanesa García Corzo
Publikováno v:
Historia y Sociedad, Iss 35, Pp 199-220 (2018)
The aim of this work is to delve into the history of Mexico’s colonial silk industry and of its workers in order to demonstrate, from a microsocial analysis, the existence of long-standing gender-exclusion processes and of integration mechanisms, d
Externí odkaz:
https://doaj.org/article/08fb1c3ce420440abf5dfd653a0bf993
Autor:
Yayoi Kawamura Kawamura
Publikováno v:
Historia y Sociedad, Iss 35, Pp 87-112 (2018)
Among the multiple influences and sources of inspiration that may have sparked the development of the art of Pasto varnish, this paper focuses particularly on those belonging to the Japanese export lacquer known as namban style (c.1580-c.1630). For t
Externí odkaz:
https://doaj.org/article/ec2ff895e1684e108b97b56a1d17825e
Autor:
Kawamura Kawamura, Yayoi
Publikováno v:
Historia y Sociedad, Iss 35, Pp 87-112 (2018)
WOS:000437698500004
RUO. Repositorio Institucional de la Universidad de Oviedo
instname
WOS:000437698500004
RUO. Repositorio Institucional de la Universidad de Oviedo
instname
Among the multiple influences and sources of inspiration that may have sparked the development of the art of Pasto varnish, this paper focuses particularly on those belonging to the Japanese export lacquer known as namban style (c.1580-c.1630). For t
Publikováno v:
Historia y Sociedad, Iss 35, Pp 271-288 (2018)
Historia y Sociedad, Issue: 35, Pages: 271-288, Published: DEC 2018
Historia y Sociedad, Issue: 35, Pages: 271-288, Published: DEC 2018
Resumen Los testamentos y codicilo transcritos y analizados en esta sección pertenecen al pintor Pedro Tello, natural de Quito y vecino de Popayán. Estos documentos fueron escritos a mediados del siglo XVIII y principios del siglo XIX. La particula