Zobrazeno 1 - 10
of 19
pro vyhledávání: '"Clodagh Brook"'
Autor:
Clodagh Brook
Marco Bellocchio is one of Italy's most important and prolific directors, with a career spanning five decades. In this book, Clodagh J. Brook explores the boundaries between the public and the private, the political and the personal, and the collecti
Edited by members of the Department of Italian Studies at the University of Birmingham, and bringing together academics in Britain, Ireland, the US and Italy, this volume takes an international perspective on Italian events. It investigates how resis
Publikováno v:
Italian Studies. 72:380-392
Our article maps the increasing prominence of interartistic and intermedial methodologies in modern and contemporary Italy, and advocates the advantages of an interdisciplinary approach for Italian Studies. We map some current trends in cultural, vis
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::18b91f92a95899740cab3c2c051f2b84
https://doi.org/10.1080/00751634.2017.1370785
https://doi.org/10.1080/00751634.2017.1370785
Autor:
Clodagh Brook
Publikováno v:
Modern Italy. 22:197-211
Alessandro Ferrari claims that Catholicism was the only cement binding the newly unified Italy together, a country without a common language or a widespread culture capable of founding civic engagement. Taking a post-secular perspective on religion,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::65d0d706936e081fbd1b055bc5bd6a6b
https://doi.org/10.1017/mit.2017.17
https://doi.org/10.1017/mit.2017.17
Publikováno v:
Italian Studies. 74:329-330
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::21d1899c1001942793131138cee117fd
https://doi.org/10.1080/00751634.2019.1658917
https://doi.org/10.1080/00751634.2019.1658917
Autor:
Clodagh Brook
Publikováno v:
Italian Studies. 68:399-410
What is intriguing about Bellocchio’s films is not so much their manifest attack on Catholicism across five decades of filmmaking but — reading against the surface of the films — the peculiar and continuing lure of the church. Focusing on Bello
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e0c2144a96561a9093578f85c7f3321c
https://doi.org/10.1179/0075163413z.00000000050
https://doi.org/10.1179/0075163413z.00000000050
A partire dal XXI secolo le nuove tecnologie e la diffusione di massa dei nuovi media hanno radicalmente cambiato i paradigmi culturali con i quali costruiamo e leggiamo le storie e le nostre narrazioni del passato. Le storie e la Storia vengono semp
Autor:
Clodagh Brook
Publikováno v:
The Italianist. 28:268-280
(2008). Beyond dialogue: Speech-silence, the monologue, and power in the films of Ermanno Olmi. The Italianist: Vol. 28, No. 2, pp. 268-280.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::87dd4c3353c3cb2f1a84a200e943dd44
https://doi.org/10.1179/026143408x363569
https://doi.org/10.1179/026143408x363569
Autor:
Clodagh Brook
Publikováno v:
Forum Italicum: A Journal of Italian Studies. 41:111-126
This article explores the treatment of dream and reality in Federico Fellini's 8½ (1963) and Nanni Moretti's Sogni d'oro (1981), exploring in particular the way boundaries between the states are drawn and disrupted, and the implications this disrupt
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4f59ac576b281a239a72109e68940ec2
https://doi.org/10.1177/001458580704100106
https://doi.org/10.1177/001458580704100106
Autor:
Clodagh Brook
Publikováno v:
The Italianist. 24:63-76
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e053c1da08d63953de10c699c8f4bbf6
https://doi.org/10.1179/ita.2004.24.1.63
https://doi.org/10.1179/ita.2004.24.1.63