Zobrazeno 1 - 10
of 40
pro vyhledávání: '"Claudio Rozzoni"'
Autor:
Alice Barale, Claudio Rozzoni
Publikováno v:
Itinera, Iss 23 (2022)
This monographic section of “Itinera” develops some of the questions which were raised at the summer school “Aesthetics, Technique and Emotion”, held in June 2020 at the Lake Como School of Advanced Studies (https://aeat.lakecomoschool.org/).
Externí odkaz:
https://doaj.org/article/68758315b5d14fb1a987ac0f1c17d627
Publikováno v:
Itinera, Iss 21 (2021)
The sublime is a concept that has never ceased to attract and to fascinate scholars. In its classical formulation, it dates back to the eighteenth century, but some of the issues that characterize its origin – such as the border between representat
Externí odkaz:
https://doaj.org/article/75a2396860f042e389d06f5a3a5aaeef
Autor:
Claudio Rozzoni
Publikováno v:
Lebenswelt: Aesthetics and Philosophy of Experience, Iss 16 (2020)
Haneke’s 1997 adaptation of Franz Kafka’s Das Schloß (The Castle) is thus far his last work for television[1]. Although «the Austrian film almanac lists» it «as a feature film» and it «was released in Austrian cinemas before its television
Externí odkaz:
https://doaj.org/article/c8df66ce71964174b2a8ab18964a5f04
Autor:
Claudio Rozzoni
Publikováno v:
Aisthesis, Vol 10, Iss 1, Pp 117-130 (2017)
In a well-known course he gave in 1904-1905, Edmund Husserl developed a ‘threefold’ notion of image revolving around the notion of depiction [Abbildung]. More specifically, the phenomenological description allows a seeing-in to emerge as an essen
Externí odkaz:
https://doaj.org/article/2d393b70352d474db2ef7ac7e08f334e
Autor:
Jorge Molder, Claudio Rozzoni
Publikováno v:
Aisthesis, Vol 11, Iss 2 (2018)
This is the text of the Claudio Rozzoni's interview with Jorge Molder that took place in Portuguese on June 21, 2018, at the artist's atelier in Lisbon. English translation by Claudio Rozzoni.
Externí odkaz:
https://doaj.org/article/85d7056b5a5c4caa9a6e44099dca0246
Autor:
Claudio Rozzoni
Publikováno v:
Aisthesis, Vol 11, Iss 2 (2018)
The œuvreof Portuguese photographer Jorge Molder (Lisbon, 1947) can be construed as a series of series. These series are filled with a wealth of absent presences, of possibilities that arise and fade without ever reaching actualization or confirmati
Externí odkaz:
https://doaj.org/article/1093d008fd774058b10ffe07d74c24c9
Autor:
Nélio Conceição, Claudio Rozzoni
Publikováno v:
Itinera, Iss 14 (2018)
This section gathers together the improved versions of the papers presented at the Benjaminian Colloquium «Art, Critique and Memory – Values and Historical Tensions in the Experience of the City», which took place at the Faculty for Social Scienc
Externí odkaz:
https://doaj.org/article/c4beb118d437496f9a1b86892dd614a9
Autor:
Claudio Rozzoni
Publikováno v:
Rivista di Estetica, Vol 45, Pp 204-207 (2010)
Externí odkaz:
https://doaj.org/article/8246e4aff7a4429897b6c9c1b2fbc574
Autor:
Claudio Rozzoni
Publikováno v:
Lebenswelt: Aesthetics and Philosophy of Experience, Vol 0, Iss 6 (2015)
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Externí odkaz:
https://doaj.org/article/6f41c85defd94ec79bb782b95253ca5f
Autor:
Claudio Rozzoni
Publikováno v:
Lebenswelt: Aesthetics and Philosophy of Experience, Vol 0, Iss 3 (2013)
Externí odkaz:
https://doaj.org/article/25921f961ff9486eaf4440cdfee13574