Zobrazeno 1 - 10
of 104
pro vyhledávání: '"Claudio Rozzoni"'
Autor:
Jorge Molder, Claudio Rozzoni
Publikováno v:
Aisthesis, Vol 11, Iss 2 (2018)
This is the text of the Claudio Rozzoni's interview with Jorge Molder that took place in Portuguese on June 21, 2018, at the artist's atelier in Lisbon. English translation by Claudio Rozzoni.
Externí odkaz:
https://doaj.org/article/85d7056b5a5c4caa9a6e44099dca0246
Autor:
Jennifer Rushworth
Publikováno v:
Modern Language Review. 118:246-247
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f54d03e7a030e8007ff78f2831d49ebf
https://doi.org/10.1353/mlr.2023.0045
https://doi.org/10.1353/mlr.2023.0045
Autor:
Borel, Jean
Publikováno v:
Revue de Théologie et de Philosophie, 2016 Jan 01. 148(4), 789-790.
Externí odkaz:
https://www.jstor.org/stable/45465247
Autor:
Molder, Jorge, Rozzoni, Claudio
Publikováno v:
Aisthesis, Vol 11, Iss 2 (2018)
This is the text of the Claudio Rozzoni's interview with Jorge Molder that took place in Portuguese on June 21, 2018, at the artist's atelier in Lisbon. English translation by Claudio Rozzoni.
Aisthesis. Pratiche, linguaggi e saperi dell’estet
Aisthesis. Pratiche, linguaggi e saperi dell’estet
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::714d98331dbb96607b0a301de8c4a4ea
https://oajournals.fupress.net/index.php/aisthesis/article/view/963
https://oajournals.fupress.net/index.php/aisthesis/article/view/963
Publikováno v:
Materiali di Estetica. Terza serie; N. 1 (2014): Pensare nella caverna. Incontri tra cinema e filosofia; 131-136
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Materiali di Estetica. Terza serie, N. 1 (2014): Pensare nella caverna. Incontri tra cinema e filosofia
Materiali di Estetica. Terza serie, N. 1 (2014): Pensare nella caverna. Incontri tra cinema e filosofia
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::d738e7eb01fa8cab3fc1f2aebd8e4219
Autor:
Alice Barale, Claudio Rozzoni
Publikováno v:
Itinera, Iss 23 (2022)
This monographic section of “Itinera” develops some of the questions which were raised at the summer school “Aesthetics, Technique and Emotion”, held in June 2020 at the Lake Como School of Advanced Studies (https://aeat.lakecomoschool.org/).
Externí odkaz:
https://doaj.org/article/68758315b5d14fb1a987ac0f1c17d627
Publikováno v:
Itinera, Iss 21 (2021)
The sublime is a concept that has never ceased to attract and to fascinate scholars. In its classical formulation, it dates back to the eighteenth century, but some of the issues that characterize its origin – such as the border between representat
Externí odkaz:
https://doaj.org/article/75a2396860f042e389d06f5a3a5aaeef
Autor:
Claudio Rozzoni
Publikováno v:
Lebenswelt: Aesthetics and Philosophy of Experience, Iss 16 (2020)
Haneke’s 1997 adaptation of Franz Kafka’s Das Schloß (The Castle) is thus far his last work for television[1]. Although «the Austrian film almanac lists» it «as a feature film» and it «was released in Austrian cinemas before its television
Externí odkaz:
https://doaj.org/article/c8df66ce71964174b2a8ab18964a5f04
Autor:
Claudio Rozzoni
Publikováno v:
Aisthesis, Vol 10, Iss 1, Pp 117-130 (2017)
In a well-known course he gave in 1904-1905, Edmund Husserl developed a ‘threefold’ notion of image revolving around the notion of depiction [Abbildung]. More specifically, the phenomenological description allows a seeing-in to emerge as an essen
Externí odkaz:
https://doaj.org/article/2d393b70352d474db2ef7ac7e08f334e