Zobrazeno 1 - 10
of 49
pro vyhledávání: '"Claudio Bisoni"'
Autor:
Claudio Bisoni
Publikováno v:
Gli Spazi della Musica, Vol 10, Iss 1 (2023)
Performer/canzone/cinema: Domenico Modugno e il caso Tutto è musica
Externí odkaz:
https://doaj.org/article/5cdd1b03a5aa44a39f8c38a243e257d0
Autor:
Elisa Farinacci, Claudio Bisoni
Publikováno v:
Cinergie, Iss 18, Pp 49-58 (2020)
The article focuses on the international reception of the first season of the TV series L’amica geniale (My Brilliant Friend, 2018-). This Italian media product has been distributed and circulated in numerous countries around the globe as the telev
Externí odkaz:
https://doaj.org/article/ac20b95c065445c5bd100e0ef3536f70
Autor:
Francesco Di Chiara, Gabriele Rigola, Samuel Antichi, Luca Barra, Michael Guarneri, Andreas Ehrenreich, Paola Valentini, Claudio Bisoni, Giulia Muggeo, Alberto Pezzotta, Federico Giordano
Publikováno v:
Schermi, Vol 5, Iss 9 (2021)
Special issue on Italian popular cinema and sexuality.
Externí odkaz:
https://doaj.org/article/ad024c00020e4994823b0d4261650068
Autor:
Claudio Bisoni
Publikováno v:
Schermi, Vol 5, Iss 9 (2021)
The following paper aims at: 1) Implementing Richard Dyer’s concept of “structured polysemy” (1979) to map the variety of conflicting images that emerge of Rita Pavone through films and youth magazines; 2) Describing the de-sexualization proces
Externí odkaz:
https://doaj.org/article/f95e8f810a5f48a1b23a62416ee72f8a
Autor:
Claudio Bisoni
Publikováno v:
Cinergie, Vol 5, Iss 9, Pp 24-33 (2016)
In this article, Saturday Night Fever (John Balham, 1977) is read as an example of a pop reappropriation of dance culture. It investigates the analogies and differences between the film and two other accounts of disco’s revolution: the article that
Externí odkaz:
https://doaj.org/article/ccf64d8151164d3695eef0c1a1f106fc
Publikováno v:
Cinergie, Vol 5, Iss 9, Pp 5-7 (2016)
Externí odkaz:
https://doaj.org/article/d0f2a3b155494559b50d4298e633d2e4
Autor:
Claudio Bisoni
Publikováno v:
Cinergie, Vol 3, Iss 5, Pp 70-82 (2014)
Externí odkaz:
https://doaj.org/article/67e480c7ea094c69a868691118750349
Autor:
Claudio Bisoni
Publikováno v:
Cinéma & Cie, Vol 12, Iss 18 (2012)
Throughout their histories, film theory and analytical aesthetics have rarely shown points of contact. This paper attempts to overcome this impasse by showing the suitability of Genette’s aesthetics to film studies while tracing a broader reconnais
Externí odkaz:
https://doaj.org/article/a76441e44def4bfb8a0e8bb327d32cc0
Autor:
Claudio Bisoni
Publikováno v:
Storicamente, Vol 7, Iss 1 (2011)
Externí odkaz:
https://doaj.org/article/df6bffc1d6694d0ca7a8ddbbfc84ef06
Autor:
Claudio Bisoni
Publikováno v:
Storicamente, Vol 6, Iss 1 (2010)
Externí odkaz:
https://doaj.org/article/6272c2d22c9a461eb5c3b1da1c5f793c