Zobrazeno 1 - 10
of 1 072
pro vyhledávání: '"Claude Farrère"'
Autor:
Goujon, Jean-Paul
Publikováno v:
Histoires Littèraires. Jan-Mar2020, Vol. 21 Issue 81, p97-116. 20p.
Autor:
Callens, Anne-Céline
Au début du xxe siècle, les nombreuses innovations techniques transforment le rapport de l’homme à l’espace, à la distance et au temps. L’automobile se démocratise et devient un sujet de prédilection pour les photographes modernistes. En
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::41acb51b9ef5a2654c08339cbbba2e52
https://journals.openedition.org/viatica/1334
https://journals.openedition.org/viatica/1334
Autor:
Günay, Zahide
Publikováno v:
Humanitas - Uluslararası Sosyal Bilimler Dergisi / Humanitas - International Journal of Social Sciences. 5(10):263-281
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=598366
Publikováno v:
Ankara Hacı Bayram Veli Üniversitesi Edebiyat Fakültesi Dergisi.
Toplumda değişimlerin ve yeniden yapılanmaların yaşandığı Erken Cumhuriyet Dönemi’nde, Batı ülkelerinden söylemleri, yazıları ve tavırları ile “Türk dostu” olarak anılan pek çok isimden bahsedilebilir. Bu isimlerden biri de F
Autor:
YASSITEPE AYYILDIZ, Ece
Publikováno v:
Ankara Üniversitesi Dil ve Tarih-Cografya Fakültesi Dergisi DTCF Dergisi; 2023 Supplement, p122-141, 20p
Autor:
Quella-Villéger, Alain
Publikováno v:
Guerres mondiales et conflits contemporains, 1993 Oct 01(172), 153-160.
Externí odkaz:
https://www.jstor.org/stable/25730990
Autor:
DUBEUX, ALBERT
Publikováno v:
Revue des Deux Mondes (1829-1971), 1957 Jul , 325-328.
Externí odkaz:
https://www.jstor.org/stable/44596858
Autor:
Chambe, René
Publikováno v:
Revue des Deux Mondes (1829-1971), 1936 May . 33(2), 448-451.
Externí odkaz:
https://www.jstor.org/stable/44855126
Autor:
Anne-Céline CALLENS
Publikováno v:
Viatica, Iss 7 (2020)
At the beginning of the 20th century, many technological innovations transformed man’s relationship to space, distance and time. The automobile is becoming more accessible. It became a predilection subject for modernist photographers. In 1931, the