Zobrazeno 1 - 10
of 304
pro vyhledávání: '"Claude Debussy"'
Autor:
Wilson, Miranda
Publikováno v:
Notes for Cellists: A Guide to the Repertoire.
Externí odkaz:
https://doi.org/10.1093/9780197623770.003.0018
Autor:
SMITH, RICHARD LANGHAM
Publikováno v:
Musical Times. Autumn2023, Vol. 164 Issue 1964, p113-117. 5p.
Autor:
Benjamin Lassauzet
Publikováno v:
De Musica Disserenda, Vol 19, Iss 2 (2024)
Debussy’s ballet for children La Boîte à joujoux (1913) contains a fake “Old Hindu chant”. But the comic fakery seems to provide the key to understanding the deep meaning of the ballet, in which Debussy strives to rejuvenate and revitalize We
Externí odkaz:
https://doaj.org/article/0639925371c345529185537ff422f631
Autor:
Shrock, Dennis, author
Publikováno v:
Choral Repertoire, 2023.
Externí odkaz:
https://doi.org/10.1093/oso/9780197622407.003.0006
Autor:
WHITTALL, ARNOLD
Publikováno v:
Musical Times. Winter2020, Vol. 161 Issue 1953, p109-112. 4p.
Autor:
Pamies, Sergio
Publikováno v:
Jazz Education in Research and Practice, 2021 Apr 01. 2(1), 76-105.
Externí odkaz:
https://www.jstor.org/stable/10.2979/jazzeducrese.2.1.06
Autor:
Rohringer, Stefan
Publikováno v:
GMTH Proceedings.
Externí odkaz:
https://slub.qucosa.de/id/qucosa%3A87131
https://slub.qucosa.de/api/qucosa%3A87131/attachment/ATT-0/
https://slub.qucosa.de/api/qucosa%3A87131/attachment/ATT-0/
Autor:
Tihomir Popović
Publikováno v:
Zeitschrift der Gesellschaft für Musiktheorie, Vol 18, Iss 2, Pp 203-220 (2021)
Der vorliegende Beitrag untersucht die kompositorische Konstruktion von Bildern der ›klassischen Antike‹ in Klavierwerken Claude Debussys. Im Fokus stehen dabei das Prélude »Danseuses de Delphes« sowie zwei Sätze aus den Six épigraphes antiq
Externí odkaz:
https://doaj.org/article/5c6685aca2884bcfb195f363e5cfd8f7
Écoutant la musique de pan: Regarding the ontological horizons of 'Pause' in Claude Debussy’s Syrinx
Autor:
Tomić Marija
Publikováno v:
Muzikologija, Vol 2021, Iss 31, Pp 213-229 (2021)
The basic thesis of this paper is that 'pause' represents the ontological center of Claude Debussy’s (1862-1918) Syrinx for solo flute (1913). The phenomenon of the musical work is interpreted through an ontological perspective, following Roman
Externí odkaz:
https://doaj.org/article/2aed65454b2b4e3e9c0bf96b7e1a538c