Zobrazeno 1 - 10
of 64
pro vyhledávání: '"Clare Finburgh Delijani"'
Publikováno v:
A New History of Theatre in France
A New History of Theatre in France, In press
A New History of Theatre in France, In press
International audience
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::dd72b058816ff143206fef39a06237e1
https://hal.archives-ouvertes.fr/hal-03505406
https://hal.archives-ouvertes.fr/hal-03505406
Autor:
Finburgh Delijani, Clare
A conversation between Clare Finburgh Delijani and the UK performance artist Graeme Miller, about the impact of the Situationist International's ideas and practices on his work.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=core_ac_uk__::7fa06fe55648bd5683afcf403b645b36
Autor:
Clare Finburgh Delijani
Publikováno v:
Modern Drama. 65:471-498
Over the past five years, a number of Black British women authors have written what might be called postcolonial ghost plays. This article focuses, to varying degrees, on four: ear for eye (2018), debbie tucker green’s dissection of enslavement and
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0e31ca60ac3dad45a8e8958b90b19b8a
https://doi.org/10.3138/md-65-4-1239
https://doi.org/10.3138/md-65-4-1239
Autor:
Clare Finburgh Delijani
Publikováno v:
L'Esprit Créateur. 62:32-49
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::786529f0bfe4dcc69526b64ed4f268d7
https://doi.org/10.1353/esp.2022.0012
https://doi.org/10.1353/esp.2022.0012
Autor:
Clare Finburgh Delijani
Publikováno v:
Journal of Contemporary Drama in English. 9:172-176
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::665ece56be4ef7dbf2bc2b810a80c03b
https://doi.org/10.1515/jcde-2021-0014
https://doi.org/10.1515/jcde-2021-0014
Autor:
Clare Finburgh Delijani
This article asks how Jean Genet’s essay ‘Quatre heures à Chatila’ (1982) conjures the past by evoking ghosts. Genet provides an exemplary model for how those killed during atrocities might not just be buried, but actively be remembered. Rathe
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::5c7f4c60742e365c5de445a23f406b3f
https://research.gold.ac.uk/id/eprint/27366/1/TAP_Finburgh2020.pdf
https://research.gold.ac.uk/id/eprint/27366/1/TAP_Finburgh2020.pdf
This volume examines the work of Joan Littlewood, Giorgio Strehler and Roger Planchon, demonstrating how these three directors take up key aesthetic prompts from earlier innovators – Stanislavski, the modernist avant-garde and not least Brecht –
Autor:
Clare Finburgh Delijani
Publikováno v:
French Studies. 74:487-488
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::963ec544926909d691f62089151326de
https://doi.org/10.1093/fs/knaa109
https://doi.org/10.1093/fs/knaa109
Autor:
Clare Finburgh Delijani
Publikováno v:
French Studies. 74:331-332
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::42080e6684e3ebd798063304f767f537
https://doi.org/10.1093/fs/knaa006
https://doi.org/10.1093/fs/knaa006
Autor:
Clare Finburgh Delijani
What do we watch when we watch war? Who manages public perceptions of war and how? Watching War on the Twenty-First-Century Stage: Spectacles of Conflict is the first publication to examine how theatre in the UK has staged, debated and challenged the