Zobrazeno 1 - 10
of 14
pro vyhledávání: '"Clara Orban"'
Autor:
Clara Orban
Publikováno v:
Hungarian Cultural Studies, Vol 13, Iss 0, Pp 154-164 (2020)
This article explores borders, border crossings and the geography of separation in two recent Hungarian films. In The Maiden Danced to Death (2011) and The Notebook (2013), two films produced within a few years of one another and just before the rece
Externí odkaz:
https://doaj.org/article/2f2c8839c4774c89841f3a19206ac363
Autor:
Clara Orban
Publikováno v:
Hungarian Cultural Studies, Vol 13, Iss 0, Pp 228-231 (2020)
Externí odkaz:
https://doaj.org/article/b82b92f53ca14e32ad79e3e428dfd649
Autor:
Clara Orban
Publikováno v:
Hungarian Cultural Studies, Vol 6, Iss 0, Pp 40-50 (2016)
Hungarian films produced after the year 2000 build on the historical reality of the fall of communism and anticipate, or come to terms with, entry into the European Union. This article will explore six films that deal with history through multiple pe
Externí odkaz:
https://doaj.org/article/42dfcfa4949d4d64a84ed6a7058e6267
Autor:
Clara Orban
For more than a century, Illinois has been home to a blossoming wine culture, yet winemaking in the state has not received the attention it deserves. Now, Clara Orban has created the ultimate companion to Illinois wines and wineries. This illustrated
Autor:
Clara Orban
Publikováno v:
Journal of Modern Italian Studies. 24:634-636
Michelangelo Antonioni’s career spanned six decades, each one somewhat distinct in terms of narrative focus and development of filmic technique. Especially now with critical interest in ‘slow cinem...
Autor:
Clara Orban
Slow Places in Béla Tarr's Films explores Hungarian filmmaker Béla Tarr's approach to creating geographies of indifference through slow cinema techniques. Through a close examination of Tarr's filmography, Clara Orban observes that his interiors pr
Autor:
Clara Orban
Publikováno v:
Popular Cinemas in East Central Europe. :248-260
Autor:
Clara Orban
Publikováno v:
Cytomegalovirus
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::37e2f138a1593ec890fa06e95c33fdc9
https://doi.org/10.2307/j.ctt16nzftn.6
https://doi.org/10.2307/j.ctt16nzftn.6
Autor:
Luca Somigli, Clara Orban
Publikováno v:
Italica. 78:264
Autor:
Clara Orban
Publikováno v:
Modern Language Studies. 31:11
The women in Michelangelo Antonioni's films provide desperate proof of the alienation of the city. In Antonioni's trilogy--L'avventura (1960), La notte (1961), and L'eclisse (1962)-empty streets, stark urban landscapes, and thin, agitated, unhappy pe