Zobrazeno 1 - 10
of 31
pro vyhledávání: '"Claire Larsonneur"'
Autor:
Claire Larsonneur
Publikováno v:
Belphégor, Vol 22 (2024)
In this paper I wish to examine the wider philosophical issues broached upon by Ian McEwan in his latest book, Machines like Me (2019). The book charts the impact of commercially available A.I-powered humanoid companions onto the lives of their owner
Externí odkaz:
https://doaj.org/article/8dcff8471f884920a410613a1308ac61
Autor:
Claire Larsonneur
Publikováno v:
Angles, Vol 7 (2018)
This video introduces the thematic contributions on ‘Digital Subjectivities’.
Externí odkaz:
https://doaj.org/article/3a38b28dabde43bb9ffc7903819ee317
Autor:
James Meese, Claire Larsonneur
Publikováno v:
Angles, Vol 7 (2018)
In current debates over copyright law, the author, the user, and the pirate are almost always invoked. Some in the creative industries call for more legal protection for the authors; activists and academics promote user rights and user-generated cont
Externí odkaz:
https://doaj.org/article/5a03ffdc6fea420baa2e15b7bcf18394
Autor:
Claire Larsonneur
Publikováno v:
Angles, Vol 7 (2018)
This graphic interlude features a selection of pictures from Figures urbaines, a photographic series by Claire Larsonneur, which was displayed at the Usine Utopik and the château of Cerisy la Salle during the Posthuman seminar in June 2016. Each pic
Externí odkaz:
https://doaj.org/article/22669579d96d4e83aa7af7501ed0f805
Autor:
Claire LARSONNEUR
Publikováno v:
E-REA, Vol 14 (2016)
What do piers stand for and wherein lies their power of attraction? Drawing both on a work of fiction, Last Orders by Graham Swift, and on a travel narrative, the Kingdom by the Sea by Paul Theroux, we trace back the history of British piers, their p
Externí odkaz:
https://doaj.org/article/e4a4d4cb608e48d699df4de4b47c0eaf
Autor:
Claire Larsonneur
Publikováno v:
Angles, Vol 2 (2016)
This article intends to investigate contemporary works of art (“Rain Room”, “On Air”), fiction (David Mitchell, Jeannette Winterson, Thomas Pynchon, Kazuo Ishiguro) and films (The Congress, Black Mirror) together with emerging social practice
Externí odkaz:
https://doaj.org/article/a323a1f2271e4670b119d81e4c619690
Autor:
Claire Larsonneur
Publikováno v:
Études Britanniques Contemporaines, Vol 37, Pp 141-152 (2009)
Young British novelist David Mitchell achieved fame in his first three novels, Ghostwritten, Number9dream and Cloud Atlas, published between 1999 and 2004, by using audacious narrative techniques involving a diffraction of the plot along a network of
Externí odkaz:
https://doaj.org/article/5fa2ed98ac374684beb1f0f55258c841
Autor:
Claire Larsonneur, Hélène Machinal
Publikováno v:
Études Britanniques Contemporaines, Vol 45 (2013)
Mediations are a central theme in David Mitchell’s ‘house of fiction’, a set of five novels featuring a complex web of recurring characters, obsessions and literary patterns. In his latest work, The Thousand Autumns of Jacob de Zoet (2010), Mit
Externí odkaz:
https://doaj.org/article/12775a45302a4f1888ecff4a37955466
Autor:
Claire Larsonneur
Publikováno v:
Interfaces, Vol 46
In the series Perfect Skin launched in 2015, Gregory Chatonsky, a French Canadian artist, ran an AI programme on the more than 5000 Tumblr and Instagram selfies posted by Kim Kardashian, to create distorted and serial representations of the celebrity
Externí odkaz:
https://doaj.org/article/3a1eef95d0a642818392457da7097706
Autor:
Claire Larsonneur
In the series Perfect Skin launched in 2015, Gregory Chatonsky, a French Canadian artist, ran an AI programme on the more than 5000 Tumblr and Instagram selfies posted by Kim Kardashian, to create distorted and serial representations of the celebrity
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4e80112fb2cffb8718ed8f5e9dd60fc5
http://journals.openedition.org/interfaces/4208
http://journals.openedition.org/interfaces/4208
