Zobrazeno 1 - 10
of 57
pro vyhledávání: '"Claire Gheeraert–Graffeuille"'
Autor:
Claire Gheeraert-Graffeuille
Publikováno v:
XVII-XVIII, Vol 73, Pp 243-265 (2016)
This paper proposes to read Margaret Cavendish’s Bell in Campo (1662) in the light of Pierre Le Moyne’s Gallerie des femmes fortes (1647). It shows how this celebration of women’s high deeds sheds an interesting light on the the ambiguous stagi
Externí odkaz:
https://doaj.org/article/dcd574f639df4598b214489fdd931197
Publikováno v:
Etudes Epistémè, Vol 20 (2011)
Externí odkaz:
https://doaj.org/article/f4bffd39b2474bfcaeff7271fc452190
Autor:
Claire Gheeraert-Graffeuille
Publikováno v:
Etudes Epistémè, Vol 20 (2011)
This article explores the generic proximity between history and drama in the Interregnum and Restoration histories of the English civil wars. It first looks at the way historians – whether on the king’s or on the Parliament’s side – appropria
Externí odkaz:
https://doaj.org/article/a5df1f8e489d49278ebc2d0efb50db05
Publikováno v:
Etudes Epistémè, Vol 19 (2011)
Externí odkaz:
https://doaj.org/article/0f25f5c0fea047c6a43697ce1588d26f
Publikováno v:
Etudes Epistémè, Vol 17 (2010)
Externí odkaz:
https://doaj.org/article/049db9e083d04506b9c6e5fa62ef2ab9
Autor:
Claire Gheeraert-Graffeuille
Publikováno v:
Etudes Epistémè, Vol 17 (2010)
This essay proposes to highlight the historian’s craft in Lucy Hutchinson’s biography of her husband, “The Life of John Hutchinson of Owthorpe in the Country of Nottinghamshire”, by examining in turn her use of sources, her art of composition
Externí odkaz:
https://doaj.org/article/93bb0768495149b7a906d277715d0994
Autor:
Claire Gheeraert-Graffeuille
Publikováno v:
Etudes Epistémè, Vol 15 (2009)
In the wake of the execution of Charles I, a few Englishwomen either denounced (like John Milton) the tyrant or condemned the tyrannicide. Breaking the taboos inherent in patriarchal society, they deliberately used the genre of prophecy to address th
Externí odkaz:
https://doaj.org/article/16584545281947b58ffb1d2dfe793596
Autor:
Claire Gheeraert-Graffeuille
Publikováno v:
Etudes Epistémè, Vol 9 (2006)
In The Duchess of Malfi, baroque art appears an art of evil that Webster attempts to deconstruct. The baroque theatricality that serves to torture the Duchess and to put her to death is shown as depraved. Dissimulation and artifice eventually appear
Externí odkaz:
https://doaj.org/article/95e051a4ba8b41dc94052869d7c7ddc3
Publikováno v:
Etudes Epistémè, Vol 2 (2002)
First performed at the Blackfriars in 1629, John Ford’s The Lover’s Melancholy lends itself to various interpretations. This paper offers two readings. The first one focuses upon the central theme of melancholy and also considers the « Burtonian
Externí odkaz:
https://doaj.org/article/cff44816b52c46a3aff8733264ee0ef6
Autor:
Claire Gheeraert-Graffeuille
Publikováno v:
Sillages Critiques, Vol 36
« The Life of John Hutchinson », written by Lucy Hutchinson between 1664 and 1667, was published as the Memoirs of the Life of Colonel Hutchinson in 1806 by a descendant of the Hutchinson family. The Memoirs soon became a best-seller and were repri
Externí odkaz:
https://doaj.org/article/e3da7a11e89d4c23be8c91508f2de9c9