Zobrazeno 1 - 10
of 20
pro vyhledávání: '"Clémentine Deliss"'
Autor:
Dan Hicks, Priya Basil, Haidy Geismar, Marlene Kadar, Emeka Ogboh, Fernando Domínguez Rubio, Clémentine Deliss, Nicholas Mirzoeff, Bonita Bennett, Ciraj Rassool, Ana Lucia Araujo
Publikováno v:
British Art Studies, Iss 19 (2021)
When it comes to the study of artworks as material culture, there are few more familiar idioms than that of the “life-history” of the object. From Arjun Appadurai’s formulation of “the social life of things” (1986) to Bruno Latour’s busin
Externí odkaz:
https://doaj.org/article/de22734bee734f1e96149f30e8d98178
Autor:
Clémentine Deliss
For quite some time now, ethnographic museums in Europe have been compelled to legitimate themselves. Their exhibition-making has become a topic of discussion, as has the contentious history of their collections, which have come about through colonia
Autor:
Clémentine Deliss, Yvette Mutumba
El Hadji Sy: Painting, Performance, Politics offers the first art-historical survey on the multidimensional work of Senegalese artist, curator, and cultural activist El Hadji Sy. Spanning thirty years of his practice as a painter, performance artist,
Autor:
Clémentine Deliss
Publikováno v:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Arte et Educatione. 15:56-66
Esej stanowi próbę namysłu nad specyficznym charakterem produkcji wiedzy w kontekście sztuki współczesnej. Autorka dowodzi w nim znaczenia nieformalnych działań wiedzotwórczych, odnosząc się w autoetnograficzny sposób do własnych projekt
Autor:
Clementine Deliss
Publikováno v:
Re-visiones, Iss 7 (2024)
Externí odkaz:
https://doaj.org/article/6cf0722439fe457bbed4dde9f77f3641
Autor:
Clémentine Deliss
Skin in the Game follows on from the acclaimed fieldwork diary, The Metabolic Museum. In this new book, Clémentine Deliss expands on how artists understand risk and contention both in their work and with regard to historical collections. Through a s
Los museos etnográficos europeos llevan tiempo sufriendo presiones para legitimarse. El discurso fundamental de sus exposiciones está tan en juego como la historia de sus colecciones, que con demasiada frecuencia deben mucho a la autolegitimación
Autor:
Clémentine Deliss
Publikováno v:
Across Anthropology
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fd4cb11e521d7538b50f977d2f155be9
https://doi.org/10.2307/j.ctv125jqxp.12
https://doi.org/10.2307/j.ctv125jqxp.12
Autor:
Clémentine Deliss, Frédéric Keck, Terry K. Smith, Marilyn Strathern, Tom Boellstorff, James D. Faubion, Jane I. Guyer
Publikováno v:
HAU: Journal of Ethnographic Theory. 6:371-402
Between 2007 and 2014, on his own and in association with Gaymon Bennett and Anthony Stavrianakis, Paul Rabinow has been devoted to the development of an “anthropology of the contemporary.” The project is widely recognized as being original, stim
Autor:
Clémentine Deliss, Priscilla De Roo
Publikováno v:
Multitudes. :185
La restitution des artefacts pilles lors des conquetes coloniales ou abritees dans les musees « coloniaux » suscite des reactions antagoniques. Faut-il « tuer » le modele du musee ethnographique, comme le preconise le president du Mali, ou bien p