Zobrazeno 1 - 10
of 62
pro vyhledávání: '"Chromatic reintegration"'
Autor:
Andrea Macchia, Camilla Zaratti, Chiara Biribicchi, Irene Angela Colasanti, Francesca Irene Barbaccia, Gabriele Favero
Publikováno v:
Heritage, Vol 6, Iss 3, Pp 3353-3364 (2023)
Organic solvents are commonly used in restoration treatments, including chromatic reintegration on polychrome artworks. They are often toxic, and their vapors have a high impact on the environment and restorers, possibly causing pathological conditio
Externí odkaz:
https://doaj.org/article/aad3c480a1784f90b8f83f2c8b3d1142
Autor:
Ana Sterle, Lucija Močnik Ramovš
Publikováno v:
Ge-conservación, Vol 18 (2020)
Technology has become an important part of the conservator’s work, and we are still learning how to fully embrace it for a better practice. The main problem is lack of time for the treatment of cultural heritage and not enough knowledge in the fiel
Externí odkaz:
https://doaj.org/article/089d4580e8454fe1bb9e859b394c9766
Autor:
Marta Marques Aleixo, Ana Bailão, Andreia Gomes, João Linhares, Margarita San Andrés, Sérgio Nascimento
Publikováno v:
Ge-conservación, Vol 18 (2020)
The choice of chromatic reintegration materials for contemporary monochromatic oil and acrylic emulsion unvarnished paints is usually a problem before treatment. This kind of paintings maybe subject to abrasions, especially on the edges, fingerprints
Externí odkaz:
https://doaj.org/article/d3347c2113474088b57c426b26af8784
Publikováno v:
Conservar Património, Vol 27, Pp 83-91 (2018)
With this text we intend to present a study which focuses on a set of tile panels of unknown provenance and authorship, belonging to the Museu Nacional do Azulejo collection, Lisbon, Portugal, from the late seventeenth century. The painting technique
Externí odkaz:
https://doaj.org/article/7ffd3b63281e4ed985fd54753c9b72c3
Akademický článek
Tento výsledek nelze pro nepřihlášené uživatele zobrazit.
K zobrazení výsledku je třeba se přihlásit.
K zobrazení výsledku je třeba se přihlásit.
Autor:
Doménech García, Beatriz
[ES] La reintegración cromática es una materia que, más allá de los principios clásicos de respeto, reconocimiento y reversibilidad, o del tratamiento de las lagunas y la controversia que ello genera, apenas se presenta de forma extensa y detall
Externí odkaz:
http://hdl.handle.net/10251/186055
Autor:
Sara Menon
In this paper I would like to focus the attention on the problems of integration in polychrome wooden sculptures, proposing some examples of repairing losses on large-sized, very incomplete artworks. The artifacts that are illustrated were also compl
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::95649cf1d6563bebfa194e1c28bdaa9d
https://doi.org/10.4995/rech6.2021.13500
https://doi.org/10.4995/rech6.2021.13500
Chromatic reintegration aims to decrease deterioration evidences in the artwork and retrieve the visual interpretation of its iconographic shapes and contents. This case study will focus on the chromatic reintegration process of the eyeballs of a woo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::00d834b6e276c377cfd038b415a78c2f
https://doi.org/10.4995/rech6.2021.13559
https://doi.org/10.4995/rech6.2021.13559
This article presents a case study of a polychrome wood carving sculpture representing Jesus Christ crucified. The piece belongs to the Chapel of Nossa Senhora da Glória, located in the district of Ressaca/Carandaí, Minas Gerais, Brazil. It was in
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::3258d7a4f083a7a743bb529bf00b6383
https://doi.org/10.4995/rech6.2021.13579
https://doi.org/10.4995/rech6.2021.13579
The present study is focused on the revision of the work clothing of the conservator-restorer, specifically in the lab coat, analysing its colour and the interference it can create regarding the perception of the colours, both of the artwork and of t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::4ef9266b1f53fefad04e2e2c868a4a75
https://doi.org/10.4995/rech6.2021.13482
https://doi.org/10.4995/rech6.2021.13482