Zobrazeno 1 - 10
of 196
pro vyhledávání: '"Christopher Kremmer"'
Autor:
Wilson, Constance
Publikováno v:
Crossroads: An Interdisciplinary Journal of Southeast Asian Studies, 1998 Jan 01. 12(1), 211-213.
Externí odkaz:
https://www.jstor.org/stable/40860659
Publikováno v:
Journalism Practice. 13:1128-1146
Many news organizations have developed policies on the use of named and unnamed sources, including whether the latter can be directly quoted or paraphrased in news stories. In this experiment, we t...
Publikováno v:
Asia Pacific Media Educator. 27:219-232
The journalism schools at 28 Australian universities joined forces to provide coverage of the 2016 federal election. The UniPollWatch (UPW) 2016 project was the biggest collaborative university journalism project ever undertaken in Australia. UPW ref
Autor:
Christopher Kremmer
Publikováno v:
Drug Testing and Analysis. 9:1284-1290
Horseracing has been called ‘one of the first quintessentially modern sports’. Its urge towards standardization, its mathematically set odds, its concern with weights, and its pioneering embrace of drug-testing reflect an empirical temperament cr
Autor:
Christopher Kremmer
Publikováno v:
The International Journal of Science in Society. 8:15-27
Autor:
Christopher Kremmer
Publikováno v:
Fear and Loathing Worldwide
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c39b73add6347bd4644c18237f6aed48
https://doi.org/10.5040/9781501333941.ch-002
https://doi.org/10.5040/9781501333941.ch-002
Autor:
Christopher, Kremmer
Publikováno v:
Drug testing and analysis. 9(9)
Horseracing has been called 'one of the first quintessentially modern sports'. Its urge towards standardization, its mathematically set odds, its concern with weights, and its pioneering embrace of drug-testing reflect an empirical temperament crucia
Autor:
Christopher Kremmer
Publikováno v:
TEXT. 19
Scholars have noted the ‘remarkable proliferation’ of historical fiction in the postmodern period, and Hayden White has described the neo-historical novel as ‘the dominant genre and mode of postmodernist writing’. This recent acknowledgment o