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pro vyhledávání: '"Christopher Burlinson"'
Autor:
Christopher Burlinson
Publikováno v:
The Cambridge Quarterly. 48:65-69
Autor:
Christopher Burlinson, Andrew Zurcher
Ralph Knevet's Supplement of the Faery Queene (1635) is a narrative and allegorical work, which weaves together a complex collection of tales and episodes, featuring knights, ladies, sorcerers, monsters, vertiginous fortresses and deadly battles –
Autor:
Christopher Burlinson
© 2017 The Seventeenth Century. This article uses the substance of gossamer to rethink some connections between Cavalier poetics, costume and aesthetics. It begins with a discussion of a group of poems by Robert Herrick and investigates a particular
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::efe20fb5a6d8699a06ca3f86a02dc6f2
Autor:
Christopher Burlinson
Publikováno v:
Cultures of Correspondence in Early Modern Britain
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1c1853e9873f3e411a48e9f7f4f632dd
https://doi.org/10.9783/9780812292930-009
https://doi.org/10.9783/9780812292930-009
Autor:
Christopher Burlinson
This chapter discusses the uses to which manuscripts and printed books were put in the sixteenth and seventeenth centuries and the changing histories and critical traditions that have accounted for them, beginning with the place of Caxton, Pynson, an
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3ea9884cb440200e17ee23bae24ac400
https://doi.org/10.1093/oxfordhb/9780199935338.013.86
https://doi.org/10.1093/oxfordhb/9780199935338.013.86
Autor:
Christopher Burlinson
Publikováno v:
Chaplains in early modern England
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::176b23a853a3e1a398e4b405b2e2eafd
https://doi.org/10.7765/9781526110695.00014
https://doi.org/10.7765/9781526110695.00014
Autor:
Christopher Burlinson
This chapter discusses Ben Jonson’s miscellaneous poems, numbering about fifty or so, and how they might fit very neatly into a conventional critical narrative about his career, a narrative that traditionally focuses on the print publication of his
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::99a7d73bcce00c56bb0060faa9176b89
https://doi.org/10.1093/oxfordhb/9780199544561.013.18
https://doi.org/10.1093/oxfordhb/9780199544561.013.18
Autor:
Christopher Burlinson
Publikováno v:
Re-evaluating the Literary Coterie, 1580–1830 ISBN: 9781137545527
Who or what was Maecenas—or, perhaps, a Maecenas—at Oxford University in the early seventeenth century? The name (or term) appears in the introduction to J.A.W. Bennett and Hugh Trevor-Roper’s edition of Richard Corbett’s poems: describing th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5584d6e089ea9612e171c94674984cad
https://doi.org/10.1057/978-1-137-54553-4_3
https://doi.org/10.1057/978-1-137-54553-4_3
Autor:
Christopher Burlinson
Publikováno v:
SEL Studies in English Literature 1500-1900. 52:35-50
In 1615, a group of Oxford men were present at a visit of King James I to Cambridge; one of them, Richard Corbett, wrote a satirical poem about the occasion that has come to be known as the “Oxford Ballad.” A number of equally satirical and somet
Autor:
Ruth Connolly, Christopher Burlinson
Publikováno v:
SEL Studies in English Literature 1500-1900. 52:1-12
In 1615, a group of Oxford men were present at a visit of King James I to Cambridge; one of them, Richard Corbett, wrote a satirical poem about the occasion that has come to be known as the “Oxford Ballad.” A number of equally satirical and somet