Zobrazeno 1 - 10
of 29
pro vyhledávání: '"Christophe Magis"'
Autor:
Christophe MAGIS, Lucien PERTICOZ
Publikováno v:
Tic & Société, Vol 14, Pp 5-11 (2020)
Externí odkaz:
https://doaj.org/article/cb9e8b7f83a249fe92cf8dd576a2d0f8
Autor:
Christophe MAGIS, Lucien PERTICOZ
Publikováno v:
Tic & Société, Vol 14, Pp 13-65 (2020)
The first cultural industry to suffer from a lack of preparation for “digital revolutions” (e.g. the success of streaming and the MP3 standard), the music industry experienced one of the most important in a long series of crises at the turn of th
Externí odkaz:
https://doaj.org/article/976cea51d90a41218a7fc7060f71a9e3
Autor:
Christophe Magis
Publikováno v:
Communication, Vol 37, Iss 1 (2020)
Media criticism in academia has long been riven by a notorious and enduring opposition between two approaches: political economy of communications and cultural studies. The hypothesis the author presents here, based on study of the limitations of the
Externí odkaz:
https://doaj.org/article/4c848796b89f47bb9cb5d1249bf803b3
Autor:
Christophe Magis
Publikováno v:
tripleC: Communication, Capitalism & Critique, Vol 16, Iss 1, Pp 159-175 (2018)
Although it hasn’t much been considered as such, the Digital Humanities movements (or at least the most theoretically informed parts of it) offers a critique “from within” of the recent mutation of the higher education and research systems. Thi
Externí odkaz:
https://doaj.org/article/8c03c943aa0a478e8538b92a4d4151b9
Autor:
Christophe Magis
Publikováno v:
SoundEffects, Vol 3, Iss 1-2 (2013)
Broadly speaking, analysis of television advertising music is usually focused on one or the other of two general types, original advertising music or pre-existing music. This reflects disciplinary dichotomies, where musicology and interpretative disc
Externí odkaz:
https://doaj.org/article/c3de39b06f8d4561a74e1a7566e6782e
Autor:
Christophe MAGIS
Publikováno v:
Tic & Société, Vol 17, Pp 83-110
This article analyses the recent emergence of the category of “discoverability” in several reports emanating from Francophone institutions. While cultural streaming platforms such as Netflix or Spotify dominate the digital distribution of audiovi
Externí odkaz:
https://doaj.org/article/8ee4361a76db4e399c1eada3492581e0
Autor:
Christophe Magis
Publikováno v:
Les Enjeux de l'information et de la communication. :37-54
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c569168b613ce9e000e698148670ac95
https://doi.org/10.3917/enic.033.0037
https://doi.org/10.3917/enic.033.0037
Autor:
Christophe Magis
Publikováno v:
AI and the Future of Creative Work ISBN: 9781003299875
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0e709f69d7b6a3521dc40f80f4123c87
https://doi.org/10.4324/9781003299875-4
https://doi.org/10.4324/9781003299875-4
Autor:
Christophe Magis
Publikováno v:
Questions de communication. :91-118
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a3a7a3f41e8a43ee6d203e68dc4881a3
https://doi.org/10.4000/questionsdecommunication.26845
https://doi.org/10.4000/questionsdecommunication.26845
Autor:
Christophe Magis, Lucien Perticoz
Publikováno v:
Tic & société. :5-11
Premiere des industries culturelles a avoir fait les frais de son manque d’adaptation au virage numerique, des le tournant du XXIeme siecle, l’industrie de la musique a, notamment au debut des annees 2000, ete l’objet de bon nombre d’etudes,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fdb6eaf08bf6fa3d2a5edbe22983841a
https://doi.org/10.4000/ticetsociete.4658
https://doi.org/10.4000/ticetsociete.4658