Zobrazeno 1 - 10
of 17
pro vyhledávání: '"Christophe Lebold"'
Autor:
Christophe Lebold
Publikováno v:
Transatlantica, Vol 1 (2021)
Externí odkaz:
https://doaj.org/article/8c9ed85945ae4bfba59d3188022c9794
Autor:
Christophe Lebold
Publikováno v:
IASPM Journal, Vol 1, Iss 2, Pp 1-17 (2010)
While wide apart in terms of cultural heritage and creative energy, Leonard Cohen and Bob Dylan reconfigured the figure of the oral poet as a cultural hero for the age of the mass media as they defined their basic postures – the (non)protest-singer
Externí odkaz:
https://doaj.org/article/eef7359cf06d49a189376e7272ef08c0
Autor:
Christophe Lebold
Publikováno v:
Transatlantica, Vol 1 (2009)
Externí odkaz:
https://doaj.org/article/99d7a5f74f784083a749404751d56ac1
Autor:
Christophe Lebold
Publikováno v:
Transatlantica, Vol 1 (2009)
Externí odkaz:
https://doaj.org/article/24baf0adc65a41c59752b849d4b9cfdc
Autor:
Christophe Lebold
Publikováno v:
Oral Tradition, Vol 22, Iss 1, Pp 573-70 (2007)
Externí odkaz:
https://doaj.org/article/cb69e95fadfa40708257186a0904e316
Autor:
Christophe Lebold
Publikováno v:
Popular Music and Society. 44:107-110
I’ve seen your flag on the marble arch, but love is not a victory march It’s a cold and it’s a broken Hallelujah! Leonard Cohen’s “Hallelujah” was first published in 1984 on an album called Various...
Autor:
Christophe Lebold
Moine et séducteur, plaisantin et mélancolique, troubadour et célébrité. Toute sa vie, Leonard Cohen aura déplié sa trajectoire en amoureux du paradoxe, sans cesser de faire ce qu'il faisait le mieux : bourlinguer de ville en ville pour ravive
Autor:
Christophe Lebold
Leonard Cohen has aimed high: to be all Jewish heroes at once. Like Jacob, he struggled with angels. Like David, he sang psalms and seduced women. But he never ceased doing what he did best: going from city to city and reviving our hearts. Leonard Co
Autor:
Christophe Lebold
Publikováno v:
Études anglaises. 71:42-66
This article examines how, in the context of a decade that tries to establish its cultural identity against the over-signifying Sixties, Lou Reed, drawing on Warhol’s techniques of self-fashioning and aiming at a double legitimacy (“rock” and
Autor:
Christophe Lebold
Publikováno v:
Rock Music Studies. 5:1-19
In the first part of his career – his existential troubadour phase – Leonard Cohen radically de-sentimentalized the love song and re-injected gravitas in a genre forever threatened by mawkishness ...