Zobrazeno 1 - 10
of 123
pro vyhledávání: '"Chilean cinema"'
Autor:
DiGiovanni, Lisa1
Publikováno v:
Revista de Estudios Hispánicos. jun2022, Vol. 56 Issue 2, p308-311. 4p.
Autor:
Rosas-Salazar, Vladimir
Publikováno v:
Ekphrasis. Images, Cinema, Theory, Media. 26(2):56-71
Externí odkaz:
https://www.ceeol.com/search/article-detail?id=1000496
Autor:
Ignacio Albornoz Fariña
Publikováno v:
Mise au Point, Vol 14 (2021)
After the 1973 coup d’État, Chilean cinema quickly retook its activity from abroad. Two key films were then produced, pioneer manifestations of exile cinema: Dialogue of the exiled (Raoul Ruiz, 1974) and There’s no forgetting (Mallet, Fajardo &
Externí odkaz:
https://doaj.org/article/a824e55ffe5e43fc914068224ebf0cb0
Autor:
Rosas-Salazar, Vladimir1
Publikováno v:
Hispanic Research Journal. Feb2022, Vol. 23 Issue 1, p148-149. 2p.
Autor:
Wiosna Szukała
Publikováno v:
Studia Romanica Posnaniensia, Vol 47, Iss 1 (2020)
Art that addresses socio-political issues is exposed to various hazards. Its creators can easily fall into a moralizing or propagandistic tone, being accused of impoverishing ideologization, on the one hand, or opportunistic populism, on the other. I
Externí odkaz:
https://doaj.org/article/22b6ab4a1c8944d9925378c7b3dde971
Autor:
Miguel Farías
Publikováno v:
Resonancias, Vol 22, Iss 43, Pp 43-66 (2018)
Based on a comparative analysis of two Chilean films produced in the beginnings of the sound era, El hechizo del trigal (The Wheatfield Spell, Eugenio de Liguoro, 1939) and Escándalo (Scandal, Jorge Délano, 1940) this article offers a study of the
Externí odkaz:
https://doaj.org/article/091ad3777db84f2a82c975130ae5f04a
Autor:
Carmen Sofía Brenes
Publikováno v:
Communication & Society (Formerly Comunicación y Sociedad), Vol 30, Iss 4, Pp 1-10 (2017)
This article takes a close look at an element that permeates the screenwriting process from initial idea to finished film, and suggests that at the beginning of the creative process there is a core or budding idea that takes gradual shape as the scre
Externí odkaz:
https://doaj.org/article/839dc7e79b0d4987b29a51cb5c64600f
Autor:
Fernando Alejandro Blanco
Publikováno v:
Estudios LGBTIQ+, Comunicación y Cultura; Vol. 2 No. 1 (2022): Dossier Temático: Memorias, espacios y masculinidades disidentes; 81-90
Estudios LGBTIQ+, Comunicación y Cultura; Vol. 2 Núm. 1 (2022): Dossier Temático: Memorias, espacios y masculinidades disidentes; 81-90
Revistas Científicas Complutenses
Universidad Complutense de Madrid (UCM)
Estudios LGBTIQ+, Comunicación y Cultura; Vol. 2 Núm. 1 (2022): Dossier Temático: Memorias, espacios y masculinidades disidentes; 81-90
Revistas Científicas Complutenses
Universidad Complutense de Madrid (UCM)
This article discusses, through the analysis of three LGBTQ+ films, Wild and Young [Joven y Alocada] (Marialy Rivas, 2012), A Map to talk [Mapa para conversar] (Constanza Fernández Bertrand, 2011) and Another Love Movie [Otra película de amor] (Edw
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::7015934c05ed93fc1eaa7973312d9e45
https://doi.org/10.5209/eslg.81992
https://doi.org/10.5209/eslg.81992
Akademický článek
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Autor:
Neslihan GÖKER
Publikováno v:
The Turkish Online Journal of Design, Art and Communication, Vol 11, Iss 3, Pp 984-1003 (2021)
Two ways are followed in the construction of memory in cinema. First, governments use cinema as a means of creating an ideological memory for the continuation of their existence. Accordingly, cinema is an important tool in the clearing the past, igno
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::f7fa71643bdb05b4826d583ce674c6bc
https://doi.org/10.7456/11103100/014
https://doi.org/10.7456/11103100/014