Zobrazeno 1 - 10
of 34
pro vyhledávání: '"Chiara, Bertoglio"'
Autor:
Chiara Bertoglio
Five hundred years ago a monk nailed his theses to a church gate in Wittenberg. The sound of Luther's mythical hammer, however, was by no means the only aural manifestation of the religious Reformations.This book describes the birth of Lutheran Chora
Autor:
Chiara Bertoglio
Publikováno v:
Notes. 79:250-252
Autor:
Elena ABRAMOV–VAN RIJK, Chiara, Bertoglio, Gino, Casagrande, Cuif, ANNE-GAËLLE, Davide, Fara, Fabrizio, Festa, Nicolò, Magnani, Giorgio, Monari, Carlo, Vitali
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od_______970::53a160e56cf89d4bb33e7883d050792b
https://hdl.handle.net/2318/1896312
https://hdl.handle.net/2318/1896312
Autor:
Chiara Bertoglio
Publikováno v:
Religions, Vol 4, Iss 4, Pp 485-501 (2013)
The doctrine of God’s Triunity is at the core of Christian faith; this article presents a theological survey of how it has been understood in a musical way during the Christian era. The role of music as a participation in the liturgy of mutual love
Externí odkaz:
https://doaj.org/article/b7fa2a93a85e422d8d38095f688bed3e
Autor:
Chiara Bertoglio
Publikováno v:
Eighteenth Century Music. 18:332-334
Autor:
Chiara Bertoglio
Publikováno v:
BACH: Journal of the Riemenschneider Bach Institute. 52:72-79
Autor:
Chiara Bertoglio
Publikováno v:
Lutheran Music Culture
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a5c68db8a4fa3b229e0e60c5fd5e90ad
https://doi.org/10.1515/9783110680959-014
https://doi.org/10.1515/9783110680959-014
Autor:
Chiara Bertoglio
Publikováno v:
Chiara Bertoglio
L’albero degli zoccoli, by the Italian director Ermanno Olmi, polyphonically narrates the lives of peasant families in late-nineteenth-century Italy. The soundtrack prominently features works by J.S. Bach, mostly for the organ, performed by the cel
Autor:
Chiara Bertoglio
Publikováno v:
Pro Ecclesia: A Journal of Catholic and Evangelical Theology. 27:451-482
Autor:
Chiara Bertoglio
Music is played and heard in time, yet it is also embodied in space by musical scores. The observation of a musical score turns time into space and allows musicians to embrace the flow of time in a single glance. This experience constitutes a symbol