Zobrazeno 1 - 10
of 38
pro vyhledávání: '"Chiao-I Tseng"'
Autor:
Dayana Markhabayeva, Chiao-I Tseng
Publikováno v:
Frontiers in Communication, Vol 9 (2024)
This paper presents three empirical studies that unravel how the devices of multimodal cohesion support viewers' narrative interpretation of scene transitions in film. The linguistics-informed method of cohesion analysis in film uncovers the establis
Externí odkaz:
https://doaj.org/article/b05bae6074fd480ca2e5d41f91278aa7
Autor:
Chiao-I Tseng, Leandra Thiele
Publikováno v:
Social Semiotics. :1-18
Autor:
John A. Bateman, Chiao-I Tseng
Publikováno v:
Linguistische Methodenreflexion im Aufbruch ISBN: 9783111043616
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::065af12031061458a2be654c533d1958
https://doi.org/10.1515/9783111043616-004
https://doi.org/10.1515/9783111043616-004
Autor:
John A. Bateman, Chiao-I Tseng
Publikováno v:
Linguistische Methodenreflexion im Aufbruch ISBN: 9783111043616
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::55ad6ea8e8e8634e50f61f5a48a48b6f
https://doi.org/10.1515/9783111043616-016
https://doi.org/10.1515/9783111043616-016
Autor:
Emilia Djonov, Chiao-I Tseng
Publikováno v:
Critical Discourse Studies. 18:349-367
Literary narratives are well recognised for their power to foster engagement with complex social themes. Transmedia narratives, which present the same story in different media, can help advance bot...
Autor:
Chiao-I Tseng, Emilia Djonov
Publikováno v:
Linguistics and Education. 73:101144
Autor:
Chiao-I Tseng
Publikováno v:
Film Studies. 19:34-57
The recent uses of digital technology in war films have sparked a wave of discussions about new visual aesthetics in the genre. Drawing on the approach of film discourse analysis, this article critically examines recent claims about new visual gramma
Autor:
Chiao-I Tseng
Publikováno v:
Beyond Media Borders, Volume 1 ISBN: 9783030496784
This chapter investigates different ways in which the film techniques of digitally mediated images—such as found footage, diegetic camera, and computer screen—achieve story truthfulness and affective engagement in the viewer’s narrative interpr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3490c37d43d0381d7dd33922bd277b33
https://doi.org/10.1007/978-3-030-49679-1_5
https://doi.org/10.1007/978-3-030-49679-1_5
Multimodality’s popularity as a semiotic approach has not resulted in a common voice yet. Its conceptual anchoring as well as its empirical applications often remain localized and disparate, and ideas of a theory of multimodality are heterogeneous
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2e7c4feae7cf3ec21d9ea1d2c43bd4cb
https://doi.org/10.1515/9783110608694-202
https://doi.org/10.1515/9783110608694-202