Zobrazeno 1 - 10
of 31
pro vyhledávání: '"Chen-Gia Tsai"'
Autor:
Chen-Gia Tsai
Publikováno v:
Music & Science, Vol 7 (2024)
Predictive coding has emerged as a key framework for analyzing music listeners’ behavior and experiences. However, the simplicity of stimuli in empirical research frequently fails to reflect the multifaceted complexity of real-world music, potentia
Externí odkaz:
https://doaj.org/article/b66f719a64774a57bdabacfb362b771d
Autor:
Chen-Gia Tsai
Publikováno v:
Humanities, Vol 12, Iss 4, p 87 (2023)
The aesthetics of poetry is intricately intertwined with the cognitive process of mind-wandering, where attention shifts from the current task and spontaneous thoughts emerge. While mind-wandering has been extensively studied in psychology and neuros
Externí odkaz:
https://doaj.org/article/93ca9dd022fd4fd5a35836be5ff3f703
Autor:
Chia-Wei Li, Chen-Gia Tsai
Publikováno v:
Brain Sciences, Vol 12, Iss 2, p 261 (2022)
When listening to music, people are excited by the musical cues immediately before rewarding passages. More generally, listeners attend to the antecedent cues of a salient musical event irrespective of its emotional valence. The present study used fu
Externí odkaz:
https://doaj.org/article/990a422888344514af6b8f8859a36000
Autor:
Chen-Gia Tsai, Chia-Wei Li
Publikováno v:
Brain Sciences, Vol 9, Iss 10, p 286 (2019)
Tonal languages make use of pitch variation for distinguishing lexical semantics, and their melodic richness seems comparable to that of music. The present study investigated a novel priming effect of melody on the pitch processing of Mandarin speech
Externí odkaz:
https://doaj.org/article/d90662dcbb6c4b74894e03d241efa439
Publikováno v:
Brain and Cognition. 169:105987
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1fd9295e4428a9a61f8d4a2b5c3aee54
https://doi.org/10.1016/j.bandc.2023.105987
https://doi.org/10.1016/j.bandc.2023.105987
Publikováno v:
Neuropsychologia. 119:118-127
Humans use time-varying pitch patterns to convey information in music and speech. Recognition of musical melodies and lexical tones relies on relative pitch (RP), the ability to identify intervals between two pitches. RP processing in music is usuall
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::2998d56579b242b5dd87e8366e3728cb
https://doi.org/10.1016/j.neuropsychologia.2018.07.028
https://doi.org/10.1016/j.neuropsychologia.2018.07.028
Publikováno v:
Brain and Cognition. 151:105751
The present study aimed at identifying the brain regions which preferentially responded to music with medium degrees of key stability. There were three types of auditory stimuli. Diatonic music based strictly on major and minor scales has the highest
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::e9715db2361168018baf124c6786273d
https://doi.org/10.1016/j.bandc.2021.105751
https://doi.org/10.1016/j.bandc.2021.105751
Autor:
Chen-Gia Tsai, Ya-Chien Wen
Publikováno v:
Psychology of Music. 45:22-35
The act of shifting from one key to another is termed tonal modulation, which has been used to articulate emotion expressions and formal structures in Western music. The present study recorded cortical activity to examine how the auditory-evoked magn
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b885355e127924e8f52b9f9c0c7f8e7f
https://doi.org/10.1177/0305735616639386
https://doi.org/10.1177/0305735616639386
Autor:
Chia-Wei Li, Chen-Gia Tsai
Publikováno v:
Neuroscience letters. 696
In human music, the tonality (key) may change to punctuate sectional structures and to produce emotional effects. A tonality change would sound “smoother” when it is supported by appropriate harmony. This functional magnetic resonance imaging stu
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::de1ffed1b321a7668c93f8b7158e8828
https://pubmed.ncbi.nlm.nih.gov/30557595
https://pubmed.ncbi.nlm.nih.gov/30557595
Autor:
Chung-Ping Chen, Chen-Gia Tsai
Publikováno v:
Journal of New Music Research. 44:271-286
The tension–resolution patterns in music play a critical role in evoking listeners’ emotional experiences. We focus on an important tradition of using such patterns for theme recurrence: the retransition in Classical sonata form. A major function
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::87e8ccbeb9342bf3ceb57537662a720d
https://doi.org/10.1080/09298215.2015.1043310
https://doi.org/10.1080/09298215.2015.1043310