Zobrazeno 1 - 10
of 23
pro vyhledávání: '"Charlotte Schoell-Glass"'
Autor:
Matthew Rampley, Thierry Lenain, Hubert Locher, Andrea Pinotti, Charlotte Schoell-Glass, C.J.M. (Kitty) Zijlmans
Reflection on the history and practice of art history has long been a major topic of research and scholarship, and this volume builds on this tradition by offering a critical survey of many of the major developments in the contemporary discipline, su
This volume presents the impressive range of scholarly affinities, approaches, and subjects that characterize today's word and image studies. The essays, a selection of papers first presented in 2005 at the seventh international conference of the Int
Publikováno v:
The Art Bulletin. 95:219-242
Horst Woldemar Janson, among the most influential of the German art historians who immigrated to the United States in the Nazi era, left Germany in 1935 at age twenty-one. He thus completed his doctorate not at Hamburg, where he had been Erwin Panofs
Publikováno v:
Zeitschrift für Ideengeschichte. 3:97-114
Im Nachlass von William S. Heckscher (1904–1999), der sich heute im Warburg-Archiv des Kunstgeschichtlichen Seminars der Universität Hamburg befindet, wird das vom «6.10.1935» datierte Typoskript eines Essays aufbewahrt, das in Heckschers charak
Autor:
Karen Michels, Charlotte Schoell-Glass
Publikováno v:
Protée. 30:85-92
L’historien de l’art allemand Aby Warburg (1866-1929), fondateur de la Kulturwissenschaftliche Bibliothek Warburg à Hambourg (1926) – rétablie à Londres en 1933 sous le nom de l’Institut Warburg –, est célèbre surtout pour son approche
Autor:
Charlotte Schoell-Glass
Publikováno v:
Science in Context. 12:621-642
The ArgumentThe last two plates (78 and 79) of Aby Warburg's unpublished picture-atlasMnemosyne, which is thought today to be among Warburg's most innovative contributions to the study of art history, are here analyzed in detail. These plates were as
Autor:
Charlotte Schoell-Glass
Publikováno v:
Art History. 21:107-128
In this article an exchange of letters is published between Aby Warburg in Hamburg and Thomas Mann, in Munich in 1926, and between the exiles Gertrud Bing in England and Thomas Mann in Pacific Palisades, California, in 1941. These letters are placed
Autor:
C.J.M. (Kitty) Zijlmans, Charlotte Schoell-Glass, Hubert Locher, Thierry Lenain, Andrea Pinotti, Matthew Rampley
Publikováno v:
Art History and Visual Studies in Europe
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7648c77671c9f7e59f95804e462e07d8
https://doi.org/10.1163/9789004231702
https://doi.org/10.1163/9789004231702
Autor:
Charlotte Schoell-Glass
As is to be expected when a global idiom dominates, local languages continue to flourish, as do local cultures, if sometimes completely under the radar of the globalized perspective. This is the case with art history in German-speaking countries, Aus
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4b83835d44a8dffb6316bb1b181db7fe
https://doi.org/10.1163/9789004231702_023
https://doi.org/10.1163/9789004231702_023
Autor:
Charlotte Schoell-Glass
L’examen précis des carnets de notes, manuscrits et fichiers d’Aby Warburg permet de montrer comment le projet warburgien d’une science culturelle et la Bibliothèque sur laquelle ce projet s’appuyait sont nés d’une confrontation aiguë a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::8874eef918eb7dff2e77d826c13e03f8
http://rgi.revues.org/889
http://rgi.revues.org/889