Zobrazeno 1 - 10
of 43
pro vyhledávání: '"Charlotte M. Canning"'
How do historians represent the past? How do theatre historians represent performance events? The fifteen challenging essays in Representing the Past: Essays in Performance Historiography focus on the fundamental epistemological conditions and proced
Autor:
Charlotte M. Canning
Winner of the 2006 Barnard Hewitt Award for Excellence in Theatre HistoryBetween 1904 and the Great Depression, Circuit Chautauquas toured the rural United States, reflecting and reinforcing its citizens'ideas, attitudes, and politics every summer th
Autor:
Charlotte M. Canning
Publikováno v:
Theatre Symposium. 28:12-26
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::dfe559410d93b7aeed1dcb9d2c1084da
https://doi.org/10.1353/tsy.2020.0001
https://doi.org/10.1353/tsy.2020.0001
Autor:
Charlotte M. Canning
Publikováno v:
Theatre Survey. 61:425-427
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b823d4d78cc75034ed704cd8a69c752d
https://doi.org/10.1017/s0040557420000320
https://doi.org/10.1017/s0040557420000320
Publikováno v:
Theatre Topics. 29:103-113
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::23387f63152a4582d4958b9a25417d29
https://doi.org/10.1353/tt.2019.0017
https://doi.org/10.1353/tt.2019.0017
Autor:
Charlotte M. Canning
Publikováno v:
Theatre Research International. 43:130-146
The Twelfth International Theatre Institute (ITI) World Congress met in New York City over 4–10 June 1967 at the same time as the Arab–Israeli War was taking place. This context very much framed the delegates’ debates over the idea of artists a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::fe32a07b9efd5b177340343c5a9438df
https://doi.org/10.1017/s0307883318000263
https://doi.org/10.1017/s0307883318000263
Autor:
Charlotte M. Canning
Publikováno v:
Journal of Dramatic Theory and Criticism. 32:53-65
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2eb0f5439c981dd58d06460992454dfe
https://doi.org/10.1353/dtc.2018.0004
https://doi.org/10.1353/dtc.2018.0004
Autor:
CHARLOTTE M. CANNING
Publikováno v:
Theatre Research International. 40:231-234
This editorial is a bittersweet one for me. I am incredibly proud of the six articles in this issue. They are provocative and compelling, and offer new knowledge of performance. Taken together, along with the other articles in this year's volume, the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8100401f9fa3434123c6d57fba869a95
https://doi.org/10.1017/s0307883315000322
https://doi.org/10.1017/s0307883315000322
Publikováno v:
Theatre, Performance and Change ISBN: 9783319658278
How can and should a theatre and/or dance graduate emerge as a democratic citizen? Our response to the volume about the relationship of theatre and performance to change is a strategic approach to theatre and dance training. When the Department of Th
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::3a85bf07a72d44368df4b3d8ee550c22
https://doi.org/10.1007/978-3-319-65828-5_3
https://doi.org/10.1007/978-3-319-65828-5_3