Zobrazeno 1 - 10
of 21
pro vyhledávání: '"Charlie Michael"'
Autor:
Charlie Michael
The digitised spectacles conjured by a word like ‘blockbuster'may create a certain cognitive dissonance with received ideas about French cinema – long celebrated as a model for philosophical, economic and aesthetic resistance to globalised popula
Publikováno v:
Film Matters. 13:57-60
The five essays compiled in this dossier address issues of representation in classic and contemporary horror cinema. Students from the Film program at Georgia Gwinnett College (Lawrenceville, Georgia) consider films by Alfred Hitchcock, Jordan Peele,
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4787af6970a0eaf4a388b77e2289db50
https://doi.org/10.1386/fm_00248_1
https://doi.org/10.1386/fm_00248_1
Autor:
Charlie Michael, Subha Xavier
Publikováno v:
Transnational Screens. 12:23-40
This article explores the ways in which the dual visions of French director Jacques Audiard and Sri Lankan Tamil writer Shobasakhti, despite a blatant lack of linguistic communication, come to coha...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e27baefef7dbc4e14fdf2a6d8b07144c
https://doi.org/10.1080/25785273.2021.1876446
https://doi.org/10.1080/25785273.2021.1876446
Publikováno v:
Environmental Conservation, 2009 Mar 01. 36(1), 5-7.
Externí odkaz:
https://www.jstor.org/stable/44520258
Autor:
Charlie Michael
Exploring the dynamic genres of animation and comic book films, this book examines the transmedia role of Spider-Man: Into the Spider-Verse (2018) and its critical involvement in attempts to diversify representations in youth-oriented cinema and cult
Autor:
Charlie Michael
Publikováno v:
Modern & Contemporary France. 28:233-234
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c5cc9f1eef0c64d35879d43e429d52cd
https://doi.org/10.1080/09639489.2020.1743251
https://doi.org/10.1080/09639489.2020.1743251
Autor:
Charlie Michael
Publikováno v:
Quebec Studies. 56:29-40
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::38f01682d0698087c8c78911db269fd3
https://doi.org/10.3828/qs.2013.5
https://doi.org/10.3828/qs.2013.5
Autor:
Charlie Michael
Publikováno v:
The Velvet Light Trap. 54:32-47
ing the images in a flurry of shoulders and faces. Accordion music and stamping feet, strangely distant in tone, play beneath this sequence, which nevertheless seems to synchronize by the time the camera focuses on a woman’s dancing feet as she hop
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::61729936bdd510f8f378632a7ca29b3e
https://doi.org/10.1353/vlt.2004.0016
https://doi.org/10.1353/vlt.2004.0016
Autor:
Tim Palmer, Charlie Michael
Artistic, intellectual and appreciably avant-garde, the French film industry has, perhaps more than any other national cinema, been perennially at the centre of international filmmaking. With its vigorous business and wide-ranging film culture, Franc