Zobrazeno 1 - 10
of 55
pro vyhledávání: '"Charles Haywood"'
Publikováno v:
Notes. 49:628
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bc4377a0891df3c6bda24783bd108e31
https://doi.org/10.2307/897950
https://doi.org/10.2307/897950
Autor:
Percy Charles Haywood
Publikováno v:
J. Chem. Soc., Trans.. 121:1904-1921
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::99b8ec1ad3a9ca9f2a989e0be7c07459
https://doi.org/10.1039/ct9222101904
https://doi.org/10.1039/ct9222101904
Autor:
Charles Haywood
Publikováno v:
Huntington Library Quarterly. 19:39-56
DECENTLY Dr. James G. McManaway has pointed out that "the A discovery in the Folger Shakespeare Library of two copies of Songs and Masques in the Tempest, previously unknown to scholars, calls attention to what is perhaps the earliest English librett
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::bd0e865e752070eff686b12bad83642e
https://doi.org/10.2307/3816529
https://doi.org/10.2307/3816529
Autor:
Joseph Braunstein, Scott Goldthwaite, Ray Green, Charles Haywood, Robert Hernried, Lloyd Hibberd, Max Kaplan, Hubert Kessler, Jack Frederick Kilpatrick, W. Thomas Marrocco, Paul Nettl, Isabel Pope, Sigfrid Prager, Rudolph Reti, Dorothy Slepian, John Ward, Richard A. Waterman
Publikováno v:
Journal of the American Musicological Society. 1:45-54
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::eac80ee9dfc6a151c4884e48fc57bfb3
https://doi.org/10.1525/jams.1948.1.3.03a00110
https://doi.org/10.1525/jams.1948.1.3.03a00110
Autor:
Charles Haywood
Publikováno v:
Shakespeare Quarterly. 20:417-426
HE use of technological gadgets in manipulating the range and volume of the human voice has had the most deleterious effects upon the theater and, more particularly, on Shakespearian acting. Through dial adjustment by the sound engineer, the voice ca
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1c9e76f2042b43646bf1892ccb043d9c
https://doi.org/10.2307/2868540
https://doi.org/10.2307/2868540
Autor:
Joseph Braunstein, Scott Goldthwaite, Ray Green, Charles Haywood, Robert Hernried, Lloyd Hibberd, Max Kaplan, Hubert Kessler, Jack Frederick Kilpatrick, W. Thomas Marrocco, Paul Nettl, Isabel Pope, Sigfrid Prager, Rudolph Reti, Dorothy Slepian, John Ward, Richard A. Waterman
Publikováno v:
Journal of the American Musicological Society. 1:45-54
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a7fd4d622866a4f38537f12e3dbf49bf
https://doi.org/10.2307/830020
https://doi.org/10.2307/830020
Autor:
Charles Haywood
Publikováno v:
Renaissance News. 2:44-46
The music of Spain in Cervantes's time had already achieved a remarkable degree of technical perfection and expressive power. The Renaissance in Spanish music brought forth an imposing roster of musicians. To mention but a few of the greatest names-L
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::fbd7d76de8a0c080275b3d5b44bef191
https://doi.org/10.2307/2857760
https://doi.org/10.2307/2857760
Publikováno v:
Western Folklore. 13:214
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e126ae648d8459dbef061008a4b21cc6
https://doi.org/10.2307/1520623
https://doi.org/10.2307/1520623