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pro vyhledávání: '"Charles D. Morrison"'
Autor:
Charles D. Morrison
Publikováno v:
Jazz Perspectives. 13:217-260
Autor:
Charles D. Morrison
Publikováno v:
The Journal of Aesthetic Education. 43:77-91
One of the most fundamental, ongoing debates in music education involves scholars who argue for a "performance-based" curriculum and those who promote a curriculum that is fundamentally "aesthetic-listening based." Rather than arguing for the primacy
Autor:
Charles D. Morrison
Publikováno v:
The British Journal of Aesthetics. 47:401-415
When we listen to music, what do we listen to and for? How do we listen? How well do we listen and how do we listen well? This paper suggests that ‘modes of engagement’ are the active, operational means by which listeners experience music and tha
Autor:
Charles D. Morrison
Publikováno v:
International Journal for the Scholarship of Teaching and Learning, Vol 8, Iss 1 (2014)
While the now-clichéd shift from ‘sage on the stage’ to ‘guide on the side’ that characterizes the changing role of teachers is a good start, it is just that – a start. In this paper, I argue for a detailed look at the concomitant shift in
Autor:
Charles D. Morrison
Publikováno v:
Music Analysis. 20:327-345
In his analysis of the first movement of Bartok's Violin Sonata No. 1, Paul Wilson suggests that, in finding 'analogues or alternatives for the large sections and processes of sonata form', Bartok draws on a nineteenth-century model in which the char
Autor:
Jerrold Levinson, Arnie Cox, Bruno H. Repp, Charles D. Morrison, Fred Everett Maus, Justin London
Publikováno v:
Music Perception. 16:463-494
At the annual meeting of the Society for Music Theory in Chapel Hill, NC, in early December 1998, a symposium on Jerrold Levinson's book, Music in the Moment, was held. The moderator was Justin London, and his introduction was followed by several set
Autor:
Charles D. Morrison
Publikováno v:
International Journal for the Scholarship of Teaching and Learning, Vol 6, Iss 1 (2012)
In his Scholarship Reconsidered: Priorities of the Professoriate, Ernest L. Boyer argued for a conception of ‘scholarship’ that recognizes traditional research – what he termed the ‘scholarship of discovery’ – but which also includes the
Autor:
Charles D. Morrison
Publikováno v:
Music Analysis. 11:75
Autor:
Charles D. Morrison
Publikováno v:
Studia Musicologica Academiae Scientiarum Hungaricae. 34:125
Autor:
Charles D. Morrison
Publikováno v:
Perspectives of New Music. 24:158