Zobrazeno 1 - 10
of 34
pro vyhledávání: '"Chantal Frankenbach"'
Autor:
Chantal Frankenbach
Publikováno v:
Journal of the Society for American Music. 15:60-98
Between 1908 and 1911, New York Symphony Orchestra conductor Walter Damrosch engaged the modern dancer Isadora Duncan to perform with his orchestra in New York and on three tours of the Midwest. Posing considerable risk to his reputation as an elite
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::0ba9ed0dca178f426acbe856c1ef43e5
https://doi.org/10.1017/s1752196320000474
https://doi.org/10.1017/s1752196320000474
Autor:
Chantal Frankenbach
Publikováno v:
Central European History. 55:627-628
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1d7707db6f864f0932d9ec519f158fdd
https://doi.org/10.1017/s0008938922001182
https://doi.org/10.1017/s0008938922001182
Autor:
Chantal Frankenbach
Publikováno v:
Notes. 77:299-302
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::73c331f6d6c5aa66091671cb02dc73ef
https://doi.org/10.1353/not.2020.0108
https://doi.org/10.1353/not.2020.0108
Autor:
Chantal Frankenbach
Publikováno v:
Modernism/modernity. 27:620-622
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b21064f9a16c1d60ea77541af80546f5
https://doi.org/10.1353/mod.2020.0052
https://doi.org/10.1353/mod.2020.0052
Autor:
Chantal Frankenbach
Publikováno v:
Notes. 75:72-75
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::8083f75b3960a90bf2e2fd6b93dac735
https://doi.org/10.1353/not.2018.0068
https://doi.org/10.1353/not.2018.0068
Autor:
Chantal Frankenbach
Publikováno v:
Journal of Musicology. 34:71-114
Early in 1904 the American modern dancer Isadora Duncan, already notorious for her barefoot “Greek dancing” to concert music not intended for the stage, created a scandal in Germany by presenting a program of dances to Beethoven’s Seventh Symph
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b7916f202299a17255e050f8c0d65d8a
https://doi.org/10.1525/jm.2017.34.01.71
https://doi.org/10.1525/jm.2017.34.01.71
Autor:
Chantal Frankenbach
Publikováno v:
Dance Chronicle. 38:134-160
Just below the surface of his 1913 review of Le Sacre du printemps, French literary critic Jacques Riviere issued a manifesto against the Symbolist poet Stephane Mallarme and his purported corruption of French literature. Mallarme's late-nineteenth-c
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f19752b3e870a5c0ccb0866cc75cd4c5
https://doi.org/10.1080/01472526.2015.1043799
https://doi.org/10.1080/01472526.2015.1043799
Autor:
Chantal Frankenbach
Publikováno v:
Council on Undergraduate Research Quarterly. 37
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1aaf7fb0ace05510ff8b11f6cc82d791
https://doi.org/10.18833/curq/37/1/5
https://doi.org/10.18833/curq/37/1/5
Autor:
Creigh, Robert1
Publikováno v:
Society for American Music Bulletin. Winter2021, Vol. 47 Issue 1, p3-5. 3p.
An innovative and incisive reassessment of a seminal figure in nineteenth-century musical life, through a fresh consideration of his aesthetic, critical, and autobiographical writings.Rethinking Hanslick: Music, Formalism, and Expression is the first
