Zobrazeno 1 - 10
of 11
pro vyhledávání: '"Changcheng JI"'
Publikováno v:
Shipin gongye ke-ji, Vol 45, Iss 18, Pp 334-343 (2024)
To investigate different irradiation doses of Se-enriched A.Auricularia polysaccharide (SAAP) in type 1 diabetes mellitus (T1DM) mice. In this study, extraction of polysaccharides from selenium-enriched fungus was carried out after 60Co-γ-ray irradi
Externí odkaz:
https://doaj.org/article/92894b0ae03c493fa34e5a8fa0935269
Publikováno v:
International Journal of Hydrogen Energy. 48:12501-12518
Publikováno v:
Diabetes Week; 9/23/2024, p71-71, 1p
Publikováno v:
Health & Medicine Week; 9/20/2024, p6685-6685, 1p
Autor:
Lee, Vivian P.Y
Hong Kong cinema has been a pre-eminent form of local entertainment and a site of ideological contentions propelled by colonial, national and international politics at different historical junctures. The Other Side of Glamour is a study of the histor
Autor:
Antje Richter
A History of Chinese Letters and Epistolary Culture is the first publication, in any language, that is dedicated to the study of Chinese epistolary literature and culture in its entirety, from the early empire to the twentieth century. The volume inc
Autor:
Tan Ye
There is a sense of timelessness in the Chinese theater: ever since its maturation, its format has not changed in any significant way. Chinese Theater matured into its final format in the 13th century and flourished during the Yuan, Ming, and Qing Dy
Autor:
Tang Lixing
In the late nineteenth and early twentieth centuries, merchants in China were incorporated into the bourgeoisie and constituted a vital part of the upstart capitalists. The lowermost class in ancient China's social hierarchy has thus become a strong
Autor:
Kaushik Roy, Peter Lorge
This book examines the differences and similarities between warfare in China and India before 1870, both conceptually and on the battlefield. By focusing on Chinese and Indian warfare, the book breaks the intellectual paradigm requiring non-Western h
Autor:
Tan Ye
There is a sense of timelessness in the Chinese theater: ever since its maturation, its format has not changed in any significant way. Chinese Theater matured into its final format in the 13th century and flourished during the Yuan, Ming, and Qing Dy