Zobrazeno 1 - 10
of 47
pro vyhledávání: '"Cervantès, Xavier"'
Autor:
Cervantes, Xavier, McGeary, Thomas
Publikováno v:
Early Music, 2001 Nov 01. 29(4), 607-616.
Externí odkaz:
https://www.jstor.org/stable/3519119
Autor:
McGeary, Thomas, Cervantes, Xavier
Publikováno v:
The Burlington Magazine, 1999 May 01. 141(1154), 287-289.
Externí odkaz:
https://www.jstor.org/stable/888366
Autor:
Cervantes, Xavier
Publikováno v:
International Review of the Aesthetics and Sociology of Music, 1995 Dec 01. 26(2), 147-166.
Externí odkaz:
https://www.jstor.org/stable/836998
Autor:
Beauregard, Raphaëlle Costa De, Boulard, Claire, Cervantès, Xavier, Cottegnies, Line, Couton, Marie, Dagen–Laneyrie, Nadeije, Edwards, Michael, Efstathiou-Lavabre, Athéna, Gheeraert, Tony, Ghermani, Laïla, Istria, Cécile, Jouslin, Olivier, Leroy, Christian, Lojkine, Stéphane, Mankin, Robert, MathieuCastellani, Gisèle, Pollard, Tanya, Potter, Lois, Venet, Gisèle
Publikováno v:
This digital publication is the result of automatic optical character recognition.
Les études réunies sous le titre La beauté et ses monstres sont nées d'un constat de rupture entre l'idéal platonicien qui posait l'alliance étroite du Beau et du Bien et les pratiques esthétiques des XVIe, XVIIe siècles. La poétique baroque
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::e35211ca1ca680394756e9efa06bc427
http://books.openedition.org/psn/4087
http://books.openedition.org/psn/4087
Autor:
Cervantès, Xavier
« Not a Plant of our Native Growth » – c’est ainsi que Colley Cibber qualifia l’opéra italien dans son autobiographie en 1740. L’acclimatation du greffon en terre britannique fut effectivement délicate : si cette forme d’art inédite s
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::012150d4c83eec167dc664172b81df5d
http://books.openedition.org/psn/4135
http://books.openedition.org/psn/4135
Autor:
Cervantès, Xavier
Jacques Carré propose dans cet ouvrage une traduction (avec texte original en regard) de divers opuscules poétiques (ainsi que de la « farce tragi-comique » The Mohocks) écrits par John Gay dans sa première phase de création, entre 1712 et 172
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::aefa1a5a1ac13c25124c7d4f1b5b6cd4
http://miranda.revues.org/10011
http://miranda.revues.org/10011
Autor:
Martha Feldman
The Castrato is a nuanced exploration of why innumerable boys were castrated for singing between the mid-sixteenth and late-nineteenth centuries. It shows that the entire foundation of Western classical singing, culminating in bel canto, was birthed
Autor:
Sylvia Mieszkowski
»Resonant Alterities« bridges the gap between sound studies and literary criticism. A queer ghost story by Vernon Lee, an occultist novel of psychic adventure by Algernon Blackwood, a dystopian science fiction tale by J.G. Ballard and a post-trauma
Autor:
Suzanne Aspden
The tale of the onstage fight between prima donnas Francesca Cuzzoni and Faustina Bordoni is notorious, appearing in music histories to this day, but it is a fiction. Starting from this misunderstanding, The Rival Sirens suggests that the rivalry fos
Autor:
Thomas McGeary
The Politics of Opera in Handel's Britain examines the involvement of Italian opera in British partisan politics in the first half of the eighteenth century, which saw Sir Robert Walpole's rise to power and George Frideric Handel's greatest period of