Zobrazeno 1 - 10
of 13
pro vyhledávání: '"Catherine Namono"'
Autor:
Catherine Namono
Publikováno v:
Nordic Journal of African Studies, Vol 32, Iss 3 (2023)
This article explores the cultural significance of initiation rites among the Northern Sotho in South Africa, with a particular focus on the blending of symbolic gender motifs in rock art. Scholars on Northern Sotho rock art have associated initiatio
Externí odkaz:
https://doaj.org/article/d1490f1bf6f8488db9432e54e22afac1
Autor:
Neville Agnew, Christopher Chippindale, Janette Deacon, Knut Helskog, Anne-Sophie Hygen, Pieter Jolly, Gitte Kjeldsen, Antti Lahelma, Tilman Lenssen-Erz, Trond Lødøen, Dipuo W. Mokokwe, David Morris, Catherine Namono, Ndukuyakhe Ndlovu, Terje Norsted, David Pearce, Juha Pentikäinen, Alexey E. Rogozhinskiy, Andrzej Rozwadowski, Thembi Russell, Paul Taçon, Lindsay Weiss, David S. Whitley, Leslie Zubieta
This volume contains contributions that consider new approaches to three areas: the documentation of rock art; its interpretation using indigenous knowledge; and the presentation of rock art. Working with Rock Art is the first edited volume to consid
Autor:
Catherine Namono
Publikováno v:
Critical Arts. 35:22-43
Publikováno v:
Conservation and Management of Archaeological Sites. 21:344-365
South Africa is richly endowed with rock art but interest in its conservation has not been given much priority. The country has been slow in developing adequate and effective conservation protocols...
Autor:
Catherine Namono
Publikováno v:
African Archaeological Review. 35:269-284
Using digital technologies in the process of collecting and documenting oral heritage allows previously marginalised voices to feed into heritage and historical narratives for rock art heritage tourism. Literary heritage narratives have tended to dom
Soaring spirits: rock art, initiation and theSorsecret society of spirit mediums of Karamoja, Uganda
Autor:
Catherine Namono
Publikováno v:
Azania: Archaeological Research in Africa. 52:283-304
This paper challenges two ideas in understanding the naturalistic rock art of Karamoja, Uganda, namely: 1) that its authors were probably the Iworopom or Later Stone Age (LSA) hunter-gatherers; and 2) that it depicts warriors holding bows and shields
Autor:
Catherine Namono
Publikováno v:
Journal of Social Archaeology. 12:404-425
This article offers an interpretation of dumbbell and circular shapes in the rock art repertoire of Uganda using a contextual interpretive approach based on Pygmy ethnographies. It provides a key t...
Autor:
Catherine Namono
Publikováno v:
Relating to Rock Art in the Contemporary World: Navigating Symbolism, Meaning, and Significance
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7141b1ae0065753db2ab6311892497c0
https://doi.org/10.5876/9781607324980.c002
https://doi.org/10.5876/9781607324980.c002
Autor:
Catherine Namono
Publikováno v:
Antiquity. 85:1209-1224
In this paper the author places the rock art of Uganda in context. It probably belongs to the Late Stone Age period to the Holocene and its symbolism may be interpreted in the light of later belief systems recorded amongst the historical Pygmy people