Zobrazeno 1 - 10
of 10
pro vyhledávání: '"Catherine Mayes"'
Publikováno v:
Australian and New Zealand Journal of Public Health, Vol 39, Iss 1, Pp 77-81 (2015)
Abstract Objective: To assess the uptake of Medicare Benefit payments for non‐directive pregnancy support counselling which commenced in November 2006. Methods: Counts of services for pregnancy counselling from 1 July 2007 to 30 June 2012, where a
Externí odkaz:
https://doaj.org/article/3eea29e3c01c40759bfc65e1e4c1362b
Autor:
Catherine Mayes
Publikováno v:
Austrian History Yearbook. :1-2
Autor:
Catherine Mayes
Publikováno v:
Eighteenth Century Music. 17:73-85
Recently, as I was doing research for a project on eighteenth-century dances, I came across the following entry in Charles Compan's Dictionnaire de danse (1787): Salamalec. Salut à la Turque, qui signifie, Dieu vous garde. On s'est servi longtems à
Autor:
Catherine Mayes
Publikováno v:
Eighteenth Century Music. 14:290-293
Publikováno v:
Australian and New Zealand Journal of Public Health, Vol 39, Iss 1, Pp 77-81 (2015)
Objective: To assess the uptake of Medicare Benefit payments for non-directive pregnancy support counselling which commenced in November 2006. Methods: Counts of services for pregnancy counselling from 1 July 2007 to 30 June 2012, where a Medicare re
Autor:
Emily H Green, Catherine Mayes
This collection of nine essays investigates the consumption of music during the long eighteenth century, providing insights into the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics.The successful sale and
Autor:
Catherine Mayes
Publikováno v:
Music and Letters. 95:70-91
Although national music was a frequent topic of Austro-German aesthetic and critical discourse in the late eighteenth and early nineteenth centuries, contemporary commentators were often unable to distinguish particular national styles in representat
Autor:
Catherine Mayes
Publikováno v:
Eighteenth Century Music. 6:161-181
Westernized Hungarian-Gypsy music (or the so-called style hongrois) has invariably been described as exotic. Although such a characterization is appropriate for later nineteenth-century compositions, I argue that it is inadequate for many of the earl
Autor:
Catherine Mayes
Publikováno v:
Eighteenth Century Music. 10:314-316
Autor:
Catherine Mayes
Turks and Hungarians were regarded as un(der)civilized and exotic Others by western Europeans in the late eighteenth century, and their musics were largely represented through very similar stylistic means. This chapter explores how Turkish and Hungar
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e3eead203d82a6da32a855fa97d3431d
https://doi.org/10.1093/oxfordhb/9780199841578.013.009
https://doi.org/10.1093/oxfordhb/9780199841578.013.009