Zobrazeno 1 - 10
of 64
pro vyhledávání: '"Catherine M. Soussloff"'
The editing process is a vital part of virtually every form of media. Primarily associated with texts and written language, editing is equally essential, if less examined, in regard to visual media. Editing the Image looks at the editing of visual me
Autor:
CATHERINE M. SOUSSLOFF
Publikováno v:
Jewish Identity in Modern Art History ISBN: 9780520920675
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::c1606375c93a819fa451274605b98797
https://doi.org/10.2307/jj.2711633.4
https://doi.org/10.2307/jj.2711633.4
Autor:
Catherine M. Soussloff
Publikováno v:
Theory, Culture & Society. 40:179-200
Manuscripts and notes by Michel Foucault on the visual arts recently deposited at the Bibliothèque Nationale reveal a reliance on canonical oil paintings by the ‘old masters’; a respect for the primary sources in the history of European art; an
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::af941c22681281890927163491aafa5d
https://doi.org/10.1177/02632764211013379
https://doi.org/10.1177/02632764211013379
Autor:
Catherine M. Soussloff
In the first comprehensive study of Jewish identity and its meaning for the history of art, eleven influential scholars illuminate the formative role of Jews as subjects of art historical discourse. At the same time, these essays introduce to art his
Autor:
Catherine M. Soussloff
Publikováno v:
IMAGES. 11:117-140
This article addresses the theoretical dimensions of the consolidation of identity and formal expression in the historiography of the painter Chaïm Soutine (1893–1943), including the central place of his Jewish identity in it. It contends that the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::674fd5b10ec5eca5586a45d917341883
https://doi.org/10.1163/18718000-12340097
https://doi.org/10.1163/18718000-12340097
Autor:
Catherine M. Soussloff
Michel Foucault had been concerned about painting and the meaning of the image from his earliest publications, yet this aspect of his thought is largely neglected within the disciplines of art history and aesthetic theory. In Foucault on Painting, Ca
Autor:
Catherine M. Soussloff
The chapter provides an examination of how the photographs by Stan Douglas use disco—the discotheque as a place, disco as the music that is played and heard in that place, and disco dancing as the social dance form that occurs in that place—and t
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::e233e6b6d06d8e3de996f5fb3ac5b5d5
https://doi.org/10.1093/oxfordhb/9780199314201.013.8
https://doi.org/10.1093/oxfordhb/9780199314201.013.8
Autor:
Catherine M. Soussloff
Publikováno v:
Foucault on Painting
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::adc002aa2a5af31897475a961fab57d8
https://doi.org/10.5749/j.ctt1pwt7m2.5
https://doi.org/10.5749/j.ctt1pwt7m2.5
Autor:
Catherine M. Soussloff
Catherine M. Soussloff argues that Michel Foucault’s sustained engagement with European art history critically addresses present concerns about the mediated nature of the image in the digital age. She explores the meaning of painting for Foucault
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::c1a7738dd14092f157cc25935908cd14
https://doi.org/10.5749/j.ctt1pwt7m2
https://doi.org/10.5749/j.ctt1pwt7m2