Zobrazeno 1 - 10
of 37
pro vyhledávání: '"Catherine Laws"'
Autor:
Catherine Laws
Publikováno v:
Transposition, Vol 7 (2018)
Externí odkaz:
https://doaj.org/article/22c9b40cc800465db3defa59ffac261a
Autor:
Catherine Laws
Performance in the fields of contemporary music, subjectivity and identity Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices o
Autor:
Catherine Laws, William Brooks, David Gorton, Nguyễn Thanh Thủy, Stefan Östersjö, Jeremy J. Wells
Identity and subjectivity in musical performancesWho is the “I” that performs? The arts of the twentieth and twenty-first centuries have pushed us relentlessly to reconsider our notions of the self, expression, and communication: to ask ourselves
Autor:
Catherine Laws
Samuel Beckett produced some of the most powerful writing – some of the funniest but most devastating – of the twentieth century. He described his plays, prose and poetry as ‘an unnecessary stain on the silence', but the extraordinary combinati
The process of practising is intrinsic to musical creativity. Practising may primarily be thought of as technical, but it is often also musically meaningful, including elements of interpretation, improvisation, and/or composition. The practice room c
Autor:
Catherine Laws
Publikováno v:
Samuel Beckett Today / Aujourd’hui. 32:116-128
The topic of ‘Beckett and music’ has gained considerable attention in recent years. In previous work I have argued that music in Beckett’s plays does not, as some have suggested, exist beyond or exceed the ambiguities of body, knowledge and sub
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5784042317c6f9788edc03cc61ffb274
https://doi.org/10.1163/18757405-03201009
https://doi.org/10.1163/18757405-03201009
Autor:
Elizabeth Haddon, Catherine Laws
Publikováno v:
Together in Music
This case study of The Assembled, an ensemble based at the University of York, UK, explores the approach, rationale, and processes used to develop performances operating at the intersection of experimental music and devised theatre practices. Detaili
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::45b448e5942afec2e23df42bbe38d9cb
https://doi.org/10.1093/oso/9780198860761.003.0007
https://doi.org/10.1093/oso/9780198860761.003.0007
Autor:
Catherine Laws
Publikováno v:
Performance, Subjectivity, and Experimentation
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::202f73c4e7fab282fb904fcb74940627
https://doi.org/10.2307/j.ctvv41431.9
https://doi.org/10.2307/j.ctvv41431.9
Autor:
Catherine Laws
Publikováno v:
Samuel Beckett Today / Aujourd'hui. 11:279-290
In Words and Music, as in Cascando, Beckett deploys music as an actual 'char acter', cast against "Words" in an exploration of their different capacities for generating significance either separately or when working together. The radio play was origi
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f34a26dfc0837ef0468472a7f0a1a2ef
https://doi.org/10.1163/18757405-01101034
https://doi.org/10.1163/18757405-01101034