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of 257
pro vyhledávání: '"Catherine Laws"'
Autor:
Catherine Laws
Performance in the fields of contemporary music, subjectivity and identity Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices o
Publikováno v:
Journal of Beckett Studies. 24:290-294
Catherine Laws, Headaches Among the Overtones: Music in Beckett/Beckett in Music : Amsterdam: Rodopi, 2013
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7c493d87a7437a6e5103318ba24f6e10
https://doi.org/10.3366/jobs.2015.0145
https://doi.org/10.3366/jobs.2015.0145
Autor:
Catherine Laws, William Brooks, David Gorton, Nguyễn Thanh Thủy, Stefan Östersjö, Jeremy J. Wells
Identity and subjectivity in musical performancesWho is the “I” that performs? The arts of the twentieth and twenty-first centuries have pushed us relentlessly to reconsider our notions of the self, expression, and communication: to ask ourselves
Autor:
Peter Reynolds
Publikováno v:
Tempo. 69:41-43
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::1e39f217f89d7aa7824add3758663a37
https://doi.org/10.1017/s0040298215000169
https://doi.org/10.1017/s0040298215000169
Autor:
Genetti, Stefano
In un capitolo del suo Literature, Modernism and Dance (Oxford University Press, 2013, pp. 279-306), Susan Jones dimostra in modo circostanziato come, al convergere di influssi che vanno da Kleist alle avanguardie storiche e nonostante l’estraneit
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::cf2e2f30b42c3661b37222d22d5f4d06
http://studifrancesi.revues.org/618
http://studifrancesi.revues.org/618
Autor:
Elaine King
Publikováno v:
British Journal of Music Education. 29:435-440
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::88aa539f60a8a115dd18d0c640950211
https://doi.org/10.1017/s0265051712000344
https://doi.org/10.1017/s0265051712000344
Autor:
Stefano Genetti
Publikováno v:
Studi Francesi. :194-195
In un capitolo del suo Literature, Modernism and Dance (Oxford University Press, 2013, pp. 279-306), Susan Jones dimostra in modo circostanziato come, al convergere di influssi che vanno da Kleist alle avanguardie storiche e nonostante l’estraneita
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::92025fd228cc8b82a3878c6f5aa52ca1
https://doi.org/10.4000/studifrancesi.618
https://doi.org/10.4000/studifrancesi.618
Autor:
Catherine Laws
Samuel Beckett produced some of the most powerful writing – some of the funniest but most devastating – of the twentieth century. He described his plays, prose and poetry as ‘an unnecessary stain on the silence', but the extraordinary combinati
The process of practising is intrinsic to musical creativity. Practising may primarily be thought of as technical, but it is often also musically meaningful, including elements of interpretation, improvisation, and/or composition. The practice room c