Zobrazeno 1 - 6
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pro vyhledávání: '"Cassandre Balosso-Bardin"'
Autor:
Cassandre Balosso-Bardin
This article explores the position of ethnomusicologists approaching the field with the prior lived experience of being a working/ competent musician, meeting other fellow musicians in all the complexity of each person’s multi-layered background. W
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::afff0cce87f63aaff804d5f68f2824ee
Autor:
Cassandre Balosso-Bardin
Publikováno v:
Yearbook for Traditional Music. 48:48-70
English This article focuses on the bibliography of the Xeremiers de Sa Calatrava, two men who dedicated their lives to Mallorcan traditional music. The story of these individuals is inseparable from the Mallorcan music revival, partly triggered by t
Autor:
Ilya Franciosi, Augustin Ernoult, Cassandre Balosso-Bardin, Patricio de la Cuadra, Benoît Fabre
Publikováno v:
Journal of the Acoustical Society of America
Journal of the Acoustical Society of America, Acoustical Society of America, 2017, 142 (3), pp.1454-1465. ⟨10.1121/1.5002692⟩
Journal of the Acoustical Society of America, Acoustical Society of America, 2017, 142 (3), pp.1454-1465. ⟨10.1121/1.5002692⟩
International audience; After defining the mechanical framework of the bag control of bagpipe, this paper presents a study of the bag pressure control in a musical context through the comparison of six players and two bagpipes: one Galician (gaita) a
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::5f9d2f140805c22ff713f5ff7797d8f2
https://hal.sorbonne-universite.fr/hal-01613185/file/Ernoult_2017_Music_in_a_bag.pdf
https://hal.sorbonne-universite.fr/hal-01613185/file/Ernoult_2017_Music_in_a_bag.pdf
Publikováno v:
Acoustics'17
Acoustics'17, Jun 2017, Boston, United States. pp.3960-3960, ⟨10.1121/1.4989007⟩
Acoustics'17, Jun 2017, Boston, United States. pp.3960-3960, ⟨10.1121/1.4989007⟩
International audience; To play a transverse or notch flute, musicians place their mouth near an open end of the instrument where a sharp edge or labium is the target of the air-jet blown by the musicians. The jet/labium interaction is responsible fo
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::bd18541edf75b4b22c13f657f3a02c21
https://hal.science/hal-02428024
https://hal.science/hal-02428024
Publikováno v:
Acoustics'17
Acoustics'17, Jun 2017, Boston, United States. pp.3874-3874, ⟨10.1121/1.4988664⟩
Acoustics'17, Jun 2017, Boston, United States. pp.3874-3874, ⟨10.1121/1.4988664⟩
International audience; The musician’s ability to modify the pitch of his instrument is a common feature for most instruments from the flute family. Musicians can alter a given note by adjusting the air jet velocity or by changing the resonator imp
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::52363ee6aba0dbae24c300d998c22ca8
https://hal.archives-ouvertes.fr/hal-02428025
https://hal.archives-ouvertes.fr/hal-02428025
Autor:
Cassandre Balosso-Bardin, Augustin Ernoult, Patricio de la Cuadra, Benoît Fabre, Ilya Franciosi
Publikováno v:
HAL
Galpin Society Journal
Galpin Society Journal, The Galpin Society, 2018
Galpin Society Journal
Galpin Society Journal, The Galpin Society, 2018
International audience; Despite their many organological and esthetical differences, bagpipes are all played by the movement of the arm on a bag, creating enough pressure to activate the reeds and produce sound. In 2016, an interdisciplinary team of
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::2f73bb6686a7583625e85133c4ff8a14
https://hal.archives-ouvertes.fr/hal-02428019
https://hal.archives-ouvertes.fr/hal-02428019