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pro vyhledávání: '"Caroline Sutton Clark"'
Autor:
Caroline Sutton Clark
From 2006 to 2014, the professional US company Ballet Austin hosted an ambitious biennial competition, New American Talent/Dance, as an experimental platform to support “emerging” choreographers. However, after five seasons of this competition an
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::f0d6efbf3dbe133033bcc8b35ab8be67
https://doi.org/10.1093/oxfordhb/9780190871499.013.5
https://doi.org/10.1093/oxfordhb/9780190871499.013.5
Autor:
Caroline Sutton Clark
Publikováno v:
The Bloomsbury Handbook of Dance and Philosophy
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7787cd3cba229bb1b67d22762bd79970
https://doi.org/10.5040/9781350103504.ch-003.3
https://doi.org/10.5040/9781350103504.ch-003.3
Autor:
Caroline Sutton Clark
Publikováno v:
Journal of Dance Education. 16:139-143
This article presents original research from oral history interviews investigating the performances of Austin Ballet Theatre, a regional amateur company, at the Armadillo World Headquarters from 1972 to 1980 in Austin, Texas. The Armadillo was primar
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a2fc58881a07f89c4eae787b01e87b5c
https://doi.org/10.1080/15290824.2016.1163931
https://doi.org/10.1080/15290824.2016.1163931
Autor:
Caroline Sutton Clark
Publikováno v:
Congress on Research in Dance Conference Proceedings. 2015:36-41
Through the focus of historical inquiry into the monthly performances of Austin Ballet Theatre in Austin, Texas, a local amateur company, at the Armadillo World Headquarters, a psychedelic and “outlaw country” music hall, from 1972–1980, this p
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::acef6abb49dcc40219e7a6dc6c05b40e
https://doi.org/10.1017/cor.2015.8
https://doi.org/10.1017/cor.2015.8