Zobrazeno 1 - 7
of 7
pro vyhledávání: '"Caroline Damiens"'
Autor:
Caroline Damiens
Publikováno v:
Mise au Point, Vol 12 (2019)
Externí odkaz:
https://doaj.org/article/b7fc94d3b7fa4241935a2e789ac1336c
Autor:
Caroline Damiens
Publikováno v:
Mise au Point, Vol 11 (2018)
Externí odkaz:
https://doaj.org/article/1517a2d2888d4b9592dc0c0c779a6257
Autor:
Caroline Damiens
Publikováno v:
Early Popular Visual Culture. :1-20
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::528ab1502a7d3e5a9c4c5328a33940c9
https://doi.org/10.1080/17460654.2023.2209939
https://doi.org/10.1080/17460654.2023.2209939
Autor:
Caroline Damiens
In A Siberian History of Soviet Film, Caroline Damiens explores how the depictions of the indigenous'Peoples of the North'in Soviet cinema and television evolved between 1920 and 1980. Damiens combines a detailed analysis of key works such as Forest
Autor:
Caroline Damiens
Publikováno v:
Studies in Russian and Soviet Cinema
Studies in Russian and Soviet Cinema, 2020, ⟨10.1080/17503132.2020.1711607⟩
Studies in Russian and Soviet Cinema, Taylor & Francis, 2020, ⟨10.1080/17503132.2020.1711607⟩
Studies in Russian and Soviet Cinema, 2020, ⟨10.1080/17503132.2020.1711607⟩
Studies in Russian and Soviet Cinema, Taylor & Francis, 2020, ⟨10.1080/17503132.2020.1711607⟩
Based on a case study of the television film The Most Beautiful Ships (Samye krasivye korabli, 1972), directed by Anatolii Nitochkin and scripted by Chukchi writer Iurii Rytkheu, this artic...
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::f4507068f2bd29866eeb2b51cbade5bb
https://hal.science/hal-02471826
https://hal.science/hal-02471826
Autor:
Caroline Damiens
Publikováno v:
Slovo
Slovo, Presses de l’INALCO, 2019, À l'Est de Pixar : le film d'animation russe et soviétique, 48-49
Slovo, Presses de l’INALCO, 2019, À l'Est de Pixar : le film d'animation russe et soviétique, 48-49
At the end of the 1920s in the Soviet Union, the animation fulfilledan agit-prop function, like other cinematographic genres. Adhering to the Sovietmovement for the cinematographic fact, animation rejected the illusion of “magic”and what the anim
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::51678ab265ad3b17f49d7cff0d3f51fd
https://doi.org/10.46298/slovo.2019.5231
https://doi.org/10.46298/slovo.2019.5231