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pro vyhledávání: '"Carlos Cascarelli Iafelice"'
Autor:
Carlos Cascarelli Iafelice
Publikováno v:
Opus, Vol 25, Iss 3, Pp 30-49 (2019)
The structural development of what we understand as cadence has a long and complex history associated with an awareness and appreciation of musical elements assimilated by a decodification process that is related to adapted morphology. Thus, the conn
Externí odkaz:
https://doaj.org/article/82f44c3c258b4ee19dac529237f89c6b
Autor:
Carlos Cascarelli Iafelice
Publikováno v:
Opus, Vol 24, Iss 3, Pp 149-201 (2018)
This study consists of the commented translation of the “principles of counterpoint” present in the fourth book of Musice active micrologus (1517) by Andreas Ornithoparchus. As a practical music treatise inserted in the context of Lateinschule, t
Externí odkaz:
https://doaj.org/article/c368cafec3494723a475c75938574289
Autor:
Carlos Cascarelli Iafelice
Publikováno v:
Revista Música. 16:161-178
Este trabalho consiste na análise das elaborações mensurais e aspectos da periodicidade motívica presentes no Agnus Dei da Missa L’homme Armé Super Voces Musicales de Josquin Desprez. A análise é fundamentada a partir dos apontamentos sobre
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::4dcf9a99bf41ad833c2199642aa5e258
https://doi.org/10.11606/rm.v16i1.125011
https://doi.org/10.11606/rm.v16i1.125011
Autor:
Carlos Cascarelli Iafelice
Publikováno v:
OPUS. 24:149
Este estudo consiste na realização da tradução comentada dos “princípios do contraponto” presentes no quarto livro de Musice active micrologus (1517) de Andreas Ornithoparchus. Como tratado de música prática inserido no contexto da Lateins
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::57bceb01ed3350f26fdb1aa8da5d5d86
https://doi.org/10.20504/opus2018c2407
https://doi.org/10.20504/opus2018c2407