Zobrazeno 1 - 10
of 61
pro vyhledávání: '"Cara A. Finnegan"'
Autor:
Cara A. Finnegan
Defining the Chief Executive via flash powder and selfie sticks Lincoln's somber portraits. Lyndon Johnson's swearing in. George W. Bush's reaction to learning about the 9/11 attacks. Photography plays an indelible role in how we remember and define
Autor:
Cara A. Finnegan
Photography became a dominant medium in cultural life starting in the late nineteenth century. As it happened, viewers increasingly used their reactions to photographs to comment on and debate public issues as vital as war, national identity, and cit
Autor:
Cara A. Finnegan
Between 1842 and his death in 1848, elderly former president and sitting congressman John Quincy Adams sat for upward of fifty daguerreotypes. This chapter examines Adams’s diary entries in which he wrote about his experiences with the new medium.
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::49efa85de97e626f99cd860be908ce25
https://doi.org/10.5622/illinois/9780252043796.003.0004
https://doi.org/10.5622/illinois/9780252043796.003.0004
Autor:
Cara A. Finnegan
Photography in the early twentieth century was marked by the rise of photo agencies designed to circulate news photographs widely, the publication of photo-heavy sections in newspapers and magazines, and the increasing professionalization of photojou
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::98055d07d4d93c4a204bcdd580f0f899
https://doi.org/10.5622/illinois/9780252043796.003.0007
https://doi.org/10.5622/illinois/9780252043796.003.0007
Autor:
Cara A. Finnegan
The president of the United States symbolically represents the nation, yet few scholars have attended to the full history of presidents’ experiences with photography. This lack of attention is surprising, given that photography emerged as a public
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6c5078e218396256c8c3d6585005c9d2
https://doi.org/10.5622/illinois/9780252043796.003.0001
https://doi.org/10.5622/illinois/9780252043796.003.0001
Autor:
Cara A. Finnegan
Candid camera photography appeared in the late 1920s, made possible by smaller, more portable cameras capable of producing intimate photographs of seemingly unguarded subjects. So-called miniature cameras transformed the ways that photography depicte
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::048f77ba015be8340651687ae33cc082
https://doi.org/10.5622/illinois/9780252043796.003.0008
https://doi.org/10.5622/illinois/9780252043796.003.0008
Autor:
Cara A. Finnegan
This chapter explores photographs of William McKinley published in the wake of his assassination at the Pan-American Exposition in 1901 in Buffalo, New York. After the president’s death, newspaper and magazine editors rushed to publish what they ca
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d33a5604c416d8e0d1532299e26e211b
https://doi.org/10.5622/illinois/9780252043796.003.0006
https://doi.org/10.5622/illinois/9780252043796.003.0006
Autor:
Cara A. Finnegan
This chapter examines the visual archive built when the Obama White House chose to make official photographs made by its photographer, Pete Souza, available to the public via the social media photography site Flickr. The Obama White House Flickr phot
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::d49437da1f05934607c06feb8769e1f5
https://doi.org/10.5622/illinois/9780252043796.003.0010
https://doi.org/10.5622/illinois/9780252043796.003.0010
Autor:
Cara A. Finnegan
Early photography enmeshed itself into the social and political life of Americans in the 1840s, especially in the capital city of Washington, DC. With its seemingly magical capacity to picture sitters as they were in real life, the daguerreotype intr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a3e224788f8828e9867cbbd681ddc040
https://doi.org/10.5622/illinois/9780252043796.003.0003
https://doi.org/10.5622/illinois/9780252043796.003.0003
Autor:
Cara A. Finnegan
The late twentieth and early twenty-first century transition to digital culture and the subsequent rise of social media transformed photography yet again, and in doing so transformed the ways presidents interacted with it. Highlighting moments in the
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::5d3751cc35cbff4462a4cab4156e0c2e
https://doi.org/10.5622/illinois/9780252043796.003.0009
https://doi.org/10.5622/illinois/9780252043796.003.0009