Zobrazeno 1 - 10
of 44
pro vyhledávání: '"Candida Rifkind"'
Autor:
Candida Rifkind
Publikováno v:
The Comics Grid: Journal of Comics Scholarship, Vol 10, Iss 1 (2020)
This article explores how Lauren Redniss’s Radioactive: Marie & Pierre Curie: A Tale of Love and Fallout (2010) uses expressive drawings, lettering, layouts, tableaus, colour, photographs and archival documents to challenge traditional biographical
Externí odkaz:
https://doaj.org/article/078de5f67efa4935b42b9a58d3d59329
Autor:
Candida Rifkind
Publikováno v:
The Comics Grid: Journal of Comics Scholarship, Vol 8, Iss 0 (2018)
This article draws on comics studies, autobiography theory, and feminist theory to explore two autographics by the late Québecoise cartoonist Geneviève Castrée (1981–2016) and their mobilization online by a bereaved comics community. The article
Externí odkaz:
https://doaj.org/article/8ea91d3e68d44ead9cd9e03283b42db7
Autor:
Candida Rifkind, Linda Warley
Canadian Graphic: Picturing Life Narratives presents critical essays on contemporary Canadian cartoonists working in graphic life narrative, from confession to memoir to biography. The contributors draw on literary theory, visual studies, and cultura
Autor:
Candida Rifkind
While Canadian historians have studied socialism in the 1930s, and although there have been many studies of American and British literary leftists from this period, Comrades and Critics is the first full-length study of Canada's 1930s literary left.
Autor:
Candida Rifkind
Publikováno v:
Inks: The Journal of the Comics Studies Society. 5:126-130
Publikováno v:
a/b: Auto/Biography Studies. 35:295-304
Graphic life narratives, especially memoirs, diaries, and auto|biographies in the form of comics, have flourished in the three decades since the landmark publication of Art Spiegelman’s Maus. As a ...
Autor:
Camille Callison, Candida Rifkind
Publikováno v:
Jeunesse: Young People, Texts, Cultures. 11:139-155
Publikováno v:
Jeunesse: Young People, Texts, Cultures. 11:i-xxxvi
Autor:
Candida Rifkind
Publikováno v:
Inks: The Journal of the Comics Studies Society. 3:348-351