Zobrazeno 1 - 5
of 5
pro vyhledávání: '"Canan BALAN"'
Autor:
Canan Balan
Publikováno v:
Film-Philosophy, Vol 20, Iss 1, Pp 47-62 (2016)
The early 20th century works of Kurdish Islamic thinker Said Nursî explore how cinema can provide access to the divine. Yet, considering the periods of Nursî’s life that were spent in prison, or in exile in remote locations, it is likely that the
Externí odkaz:
https://doaj.org/article/c504df952b5e40ff90c419adf3f2b185
Sabahat Filmer ve Binnaz Filmi: Sinemasal Bir Palimpsestte Gerçek, Kurmaca ve Kadınların Eylemliliği
Autor:
Canan Balan
Publikováno v:
fe dergi feminist ele. 14:103-116
Bu makale Osmanlı/Türkiye sinemasının erken döneminden iki kadının, biri temsili ve kurmaca, diğeri birinci ağızdan deneyime dayanan anlatılarına ve eylemliliklerin sinema tarihine olan katkılarına odaklanmaktadır. Bu iki kadından bir
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::2b174e42a01711edb70188f86d5a9d6d
https://doi.org/10.46655/federgi.1129361
https://doi.org/10.46655/federgi.1129361
Autor:
Canan BALAN
Publikováno v:
Kültür ve İletişim.
Cinema as a technological public spectatorship experience began in Istanbul in December 1896. First screenings were organised by Henri Delavalle (Stamboul, 12 Aralık 1896) and quickly became a steady part of the modern spectatorship culture in Istan
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::b61e9b0a8376456ff5cd91c09d5605f8
https://doi.org/10.18691/kulturveiletisim.1133401
https://doi.org/10.18691/kulturveiletisim.1133401
Autor:
Canan Balan
This chapter examines early film culture in Istanbul by focusing on how Turkish male writers constructed cinema-going Turkish women in early twentieth-century and postwar Istanbul. The goal is to analyze gendered concerns about spectatorship emerging
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::a38c896bddf115387bb9f04007e1b1fc
https://doi.org/10.5406/illinois/9780252039683.003.0005
https://doi.org/10.5406/illinois/9780252039683.003.0005
Autor:
Canan Balan
Publikováno v:
Early Popular Visual Culture. 6:171-185
The shadow theatre in Turkey was most commonly known as ‘Karagoz’. Under the influence of Sufi thought with its references to the real world as mimicry of the world of ideas, Turkish shadow play might resemble Plato's cave. The prologue and the r
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::7ce767177edd00f393834e24a663dbba
https://doi.org/10.1080/17460650802150424
https://doi.org/10.1080/17460650802150424