Zobrazeno 1 - 10
of 13
pro vyhledávání: '"Camila Mardones Bravo"'
Autor:
Camila Mardones Bravo
Publikováno v:
Iberoamericana. América Latina - España - Portugal, Vol 16, Iss 61, Pp 51-70 (2016)
There is an important amount of colonial churches in the Department of Oruro that preserve the mural paintings made within the context of the evangelization. They are abundant with a vegetal form of ornamentation. This research delves into some simil
Externí odkaz:
https://doaj.org/article/8dcf8e9f98d3478b9576de9e9bd47308
Autor:
Camila Mardones Bravo
Publikováno v:
Aisthesis, Iss 52, Pp 261-282 (2012)
Una particular pintura de la Virgen de la Merced, compuesta por su torso «brotando» de una exótica flor multicolor, motiva la presente investigación icono-lógica. El análisis revisa los simbolismos florales en el proceso de evangelización, par
Externí odkaz:
https://doaj.org/article/2652eaf09f54477987dffd792c7b9ca3
Autor:
Camila Mardones Bravo
Publikováno v:
Colonial Latin American Review. 28:106-127
Este articulo estudia la pintura mural de finales del periodo colonial como fenomeno de un cristianismo andino transcultural y agente. La investigacion rastrea y analiza la representacion de iglesias locales (en tanto autorrepresentadas en sus propio
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_________::6bcaf849575e69496e6b38aa452a2338
https://doi.org/10.1080/10609164.2019.1585086
https://doi.org/10.1080/10609164.2019.1585086
Publikováno v:
Catholic Historical Review. Autumn2021, Vol. 107 Issue 4, p648-656. 9p.
Autor:
Leal-Landeros, Joselin
Publikováno v:
Revista Anuario de Historia Regional y de las Fronteras; jul-dic2023, Vol. 28 Issue 2, p53-82, 30p
Autor:
Sadarangani, Javier
Publikováno v:
Emotions: History, Culture, Society; 2023, Vol. 7 Issue 2, p258-277, 20p
Autor:
Bravo, Camila Mardones1 cammarones@gmail.com
Publikováno v:
Colonial Latin American Review. Mar2019, Vol. 28 Issue 1, p106-127. 22p. 10 Color Photographs.
Autor:
MARDONES BRAVO, CAMILA
Publikováno v:
IBEROAMERICANA. América Latina - España - Portugal; mar2016, Vol. 16 Issue 61, p51-70, 20p
Autor:
Agnes Gehbald
This volume provides a wholly original social history of books in late colonial Peru. From the second half of the eighteenth century onward, workshops in Lima and transoceanic imports supplied the market with unprecedented quantities of print publica
Recent debates about the return of colonially looted heritage have furthered the discussions on decolonisation around the world, and have reignited questions surrounding “what is, and who owns, cultural heritage”. These discourses in the meaning,