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pro vyhledávání: '"CELLI, NICOLETTA"'
Autor:
CELLI, NICOLETTA
The question of Buddhist art’s propagation through Central Asia to China has not generated such a broad debate as did its parallel in the historical field, where conflicting views are held concerning the mode and paths of transmission. Instead, a l
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https://explore.openaire.eu/search/publication?articleId=od______4094::9abd0808563946c5df43bba084c72839
http://hdl.handle.net/11585/599885
http://hdl.handle.net/11585/599885
Autor:
CELLI, NICOLETTA
Saggio dedicato alla ricostruzione del rapporto delle popolazioni turco-mongole presenti in Asia centrale tra X e XIII secolo con il buddhismo e al loro contributo alla assimilazione del buddhismo da parte mongola all'indomani della conquista di Chin
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https://explore.openaire.eu/search/publication?articleId=od______4094::d8d4dddbb6396a3e0c344ce712899bba
http://hdl.handle.net/11585/471967
http://hdl.handle.net/11585/471967
Autor:
CELLI, NICOLETTA
La genesi dell’arte buddhista in Cina è stata considerata, sin dall’inizio delle ricerche in questo campo, soprattutto come esito della diffusione di modelli provenienti dall’India e dall’Asia centrale passivamente recepiti durante i primi s
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http://hdl.handle.net/11585/555528
http://hdl.handle.net/11585/555528
Autor:
CELLI, NICOLETTA
Breve saggio dedicato alla religiosità in Cina affrontato attraverso la letteratura più aggiornata sull'argomento.
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https://explore.openaire.eu/search/publication?articleId=od______4094::20db7ca3ff66f48f376ad7da5a490784
http://hdl.handle.net/11585/555575
http://hdl.handle.net/11585/555575
Autor:
CELLI, NICOLETTA
Breve saggio dedicato ad argomento specialistico, la storia e le caratteristiche iconografiche delle pietre tombali cristiane di epoca Yuan rinvenute a Quanzhou.
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https://explore.openaire.eu/search/publication?articleId=od______4094::cf4bc5e85a622b4221b61ea887d3eff4
http://hdl.handle.net/11585/555566
http://hdl.handle.net/11585/555566
Autor:
CELLI, NICOLETTA
Recisione della mostra e del Catalogo "Magie dell'India", Treviso 2014.
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https://explore.openaire.eu/search/publication?articleId=od______4094::e3e07c8dbf3389c9e918a5a94829a609
http://hdl.handle.net/11585/470367
http://hdl.handle.net/11585/470367
Autor:
CELLI, NICOLETTA
Publikováno v:
Humanitas; 2019, Vol. 74 Issue 4, p626-646, 21p
Autor:
CELLI, NICOLETTA
The first representations of the Buddha in China (2nd-4th century) consist of an array of mostly undated bronze statuettes portraying the Buddha seated in dhyaønamudraø. Past scholarship has tended to consider these images the result of a straightf
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http://hdl.handle.net/11585/394019
http://hdl.handle.net/11585/394019
Autor:
CELLI, NICOLETTA
Sette schede di catalogo a corredo delle opere esposte nella mostra "A Oriente. Città, Uomini e Dei sulle Vie della Seta" — Museo Nazionale Romano, Terme di Diocleziano 21.10.2011–26.02.2012. Tre schede ("Una cornucopia di tessuti", "Il ciglio d
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https://explore.openaire.eu/search/publication?articleId=od______4094::7bfed77b9eaca325c4c093a2c085dd39
http://hdl.handle.net/11585/106801
http://hdl.handle.net/11585/106801
Autor:
CELLI, NICOLETTA
This essay explores one of the most delicate and topical questions in relations between India, Central Asia and China during the centuries when Buddhism spread towards East Asia. The specific theme concerns the diffusion of the image of the Buddha, w
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https://explore.openaire.eu/search/publication?articleId=od______4094::2598b8bdde30e858f141e04cd916bc52
http://hdl.handle.net/11585/102439
http://hdl.handle.net/11585/102439