Zobrazeno 1 - 7
of 7
pro vyhledávání: '"CACIOLA, NANCY MANDEVILLE"'
Autor:
Caciola, Nancy Mandeville
Publikováno v:
Speculum, 2018 Jan 01. 93(1), 101-110.
Externí odkaz:
https://www.jstor.org/stable/26583724
Autor:
Caciola, Nancy Mandeville
Publikováno v:
Preternature: Critical and Historical Studies on the Preternatural, 2014 Sep 01. 3(2), 311-338.
Externí odkaz:
https://www.jstor.org/stable/10.5325/preternature.3.2.0311
Autor:
CACIOLA, NANCY MANDEVILLE
Publikováno v:
The English Historical Review, 2017 Jun 01. 132(556), 683-684.
Externí odkaz:
https://www.jstor.org/stable/26793107
Autor:
Caciola, Nancy Mandeville
Whereas representatives of the medieval church insisted that possessing spirits were demons or fallen angels, many medieval Italians attributed spirit possession to ghosts. In particular, the untimely dead who had perished through violence were thoug
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::5212558bf7ec45c45171a014bea9bfdc
http://journals.openedition.org/terrain/16630
http://journals.openedition.org/terrain/16630
Autor:
Caciola, Nancy Mandeville
Au Moyen Âge, en Italie, les représentants de l’Église considéraient les esprits venus posséder les vivants comme des démons ou des anges déchus, tandis que le peuple avait plutôt tendance à y voir des revenants. D’après une croyance pr
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::0d38c556175d8beaf3a8879a14458ae0
http://journals.openedition.org/terrain/16627
http://journals.openedition.org/terrain/16627
Autor:
Caciola, Nancy Mandeville
Publikováno v:
Renaissance Quarterly, 2016 Jan 01. 69(3), 1135-1136.
Externí odkaz:
https://www.jstor.org/stable/26560005
Autor:
Antiquarianism, Roman Antiquity and, Jest, Culus mundi: the Roman Colosseum in Early Modern, Yawn, Lila Elizabeth, Tortured Image: The Biography of Lucullus' Dying Hercules, A, Kuttner, Ann, Of Plaster Casts, Monks: Images of Cultural Heritage in Risorgimento Italy Napoli, J. Nicholas, The Nymph in the Doorway: Revisiting a. Central Motif of Aby Warburg’s Study of Culture Burroughs, Charles, Fascismo e. classicità: il recupero iconografico delle opere d'arte non romane a. fini propagandistici nell'Italia m. u. s. s. o. l. i. n. i. a. n. a. Giorio, Maria Beatrice, Art, The Life, Afterlife of Medieval, Nepi, Multisensory Memories, Monastic Identity at Sant’Elia near, Perchuk, Alison Locke, Trastevere, The Image of a. Building: Santa Maria in, Kinney, Dale, Madonnas, The Lives, Afterlives of Shrine, Gertsman, Elina, Guglielmite Trinity, A, Caciola, Nancy Mandeville, of Dante, The Cult, Portraiture, Textual Physiognomy: A. New Theory, Brief History of Dantean, Reid, Joshua, States, Fragments of Freedom: Dante's Relic in the Re United, Raffa, Guy P., Identities, Images and, World, Body Politics, Mythic Figures: Andrea Doria in the Mediterranean, Gorse, George Lawrence, Solving the Mystery of the Sitter in Bartolomeo Veneto’s Portrait of a. Lady in a. Green Dress Sizonenko, Tatiana, Michelangelo's Medici Chapel, its Aftermath: Scattered Bodies, Florentine Identities under the Duchy Lazzaro, Claudia, Marinetti's Vocalization, F. T., Mather, David, Artistic, Tradition, Feminine Legacy in Elena Ferrante’s L’amore molesto Milkova, Stiliana, That Hateful Tail: The Sirena as Figure for Disability in Italian Literature, Beyond Noson, Kate, Regarding the Pain of Others: Migrant Self Narration, Participatory Filmmaking, Photographs, Fixity, Flexibility, Of, Generazionale, Paesaggi i. n. f. o. r. m. a. l. i. Immagini per un album, Doti, Gerardo, Visuale, Guardare Venezia: la città come dispositivo, Parmeggiani, Paolo, Exemplification, Between Irons, Bones, Stones, Repetition, Variation, Williams, Robert, Briatore, Samuele
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=od______3686::67adb37581344f65c5376aabc28e43b1
http://hdl.handle.net/11573/924687
http://hdl.handle.net/11573/924687