Zobrazeno 1 - 10
of 17
pro vyhledávání: '"C. Oliver O'Donnell"'
Autor:
C. Oliver O’Donnell
Publikováno v:
Panorama, Vol 0, Iss 1 (2024)
Externí odkaz:
https://doaj.org/article/a39c4f9284764f13821431ea49ee7625
Autor:
C. Oliver O’Donnell
Publikováno v:
Journal of Art Historiography, Vol 27, Pp 27-OD1 (2022)
In this letter to the editor, I counter Ian Verstegen’s suggestion in his recent review of my book that Meyer Schapiro’s critiques of the grand theories of the 20th century were anti-theoretical. Rather than sceptical refutations of art-historica
Externí odkaz:
https://doaj.org/article/47c2b40d6e1f44ff80fc4e815126e98a
Autor:
C. Oliver O’Donnell
Publikováno v:
Tate Papers, Iss 26 (2016)
This article analyses a talk given by the American art historian Meyer Schapiro in 1956 that was broadcast on BBC radio as a review of an exhibition at Tate Gallery titled Modern Art in the United States. It reveals that Schapiro’s broadcast was fu
Externí odkaz:
https://doaj.org/article/d1054e5b54054606bd914aed5abb62c7
Autor:
C. Oliver O’Donnell
Described in the New York Times as the greatest art historian America ever produced, Meyer Schapiro was both a close friend to many of the famous artists of his generation and a scholar who engaged in public debate with some of the major intellectual
Autor:
C. Oliver O’Donnell
Publikováno v:
The Art Bulletin. 103:104-128
A passage in a letter serves as a starting point for an exploration of the relationship between the philosopher Charles Sanders Peirce and the painter Albert Bierstadt, taking into account their ex...
Autor:
C. Oliver O’Donnell
Publikováno v:
History of Humanities. 6:723-724
Autor:
C. Oliver O’Donnell
Publikováno v:
History of Humanities. 3:113-136
In this essay, Edgar Wind’s and Erwin Panofsky’s practices of art historical iconology are interpreted through their respective adaptations of the epistemological premises of American Pragm...
Autor:
C. Oliver O’Donnell
Publikováno v:
World Art. 8:21-38
David Summers’ Real Spaces: World Art History and the Rise of Western Modernism remains one the most ambitious and compelling attempts to develop a new analytic framework for art-historical analysis across geographic and temporal boundaries. Despit