Zobrazeno 1 - 10
of 26
pro vyhledávání: '"Côme Martin"'
Autor:
Côme Martin, Françoise Sammarcelli
Publikováno v:
Sillages Critiques, Vol 28 (2020)
Externí odkaz:
https://doaj.org/article/53afbc9c6f264089a8fd68c981a21f6e
Autor:
Côme Martin
Publikováno v:
Sillages Critiques, Vol 28 (2020)
Amongst comics created before and after 1900, historiography often picks Little Nemo in Slumberland, Krazy Kat and Yellow Kid as being part of canonical history and elevates these three works to the rank of classics. However, careful analysis shows h
Externí odkaz:
https://doaj.org/article/e5a2698f5bb9456998f19761327ab4f6
Autor:
Jean Sébastien, Côme Martin
Publikováno v:
Alternative Francophone, Vol 2, Iss 7 (2020)
Introduction au numéro co-dirigé par Côme Martin et Jean Sébastien sur la bande dessinée numérique
Externí odkaz:
https://doaj.org/article/6603a1aebf104c3bb914871ebfd2104e
Autor:
Côme Martin
Publikováno v:
Comicalités (2019)
While the reception of comics today is more and more oriented to their conversation after reading, some productions offer a unique or difficult to reproduce experience to their readers. They share a foregrounding of their physicality which, because i
Externí odkaz:
https://doaj.org/article/69551b2f8ea642b0868df628f48bb52f
Autor:
Côme Martin
Publikováno v:
Cahiers de Narratologie, Vol 34 (2018)
Chris Ware’s work displays an affinity for fragmentation, both in its narration and its chaptering, but remains conceived as a formal and aesthetic whole. It is particularly visible in the volumes of the Acme Novelty Library, which can nevertheless
Externí odkaz:
https://doaj.org/article/30b6476e7a424eb4a2a73ef00f6283d1
Autor:
Côme Martin
Publikováno v:
Sillages Critiques, Vol 24 (2018)
A book is by definition a closed and delineated shape, which explains why most literary narratives are linear: they begin on the first page and end on the last. However, though this form is the most conventional, many authors—James Joyce among othe
Externí odkaz:
https://doaj.org/article/e8e7a9ef7404434fb4fbab9e70a5f5d6
Autor:
Côme Martin
Publikováno v:
Sillages Critiques, Vol 23 (2017)
Within her autobiographical work, Bechdel uses many written documents, from family letters to dictionary extracts. These documents are all copied out, meaning they are integrated to the panel as images and not simply inserted or reproduced. Furthermo
Externí odkaz:
https://doaj.org/article/722a48bada89408089fb5dd14a4470e5
Autor:
Côme Martin
Publikováno v:
The Comics Grid: Journal of Comics Scholarship, Vol 7, Iss 0 (2017)
What are digital comics? The answers to this question are diverse and often contradictory. Since digital comics were first published in the 1990s, it has not always been possible to gather them under a common denominator, apart from what already defi
Externí odkaz:
https://doaj.org/article/5d939bbb850440fc88d6ddebb49e03f3
Autor:
Côme Martin
Publikováno v:
Sillages Critiques, Vol 19 (2016)
Externí odkaz:
https://doaj.org/article/562df98a036a46d28337f2d2393e9d23
Autor:
Côme Martin
Publikováno v:
Recherches sémiotiques. 37:73-85
This article aims to analyze the ways comics can represent their own mode of discourse, through the use of implicit or explicit metatextual devices. I begin by examining the relation of comics with architecture. Through a few selected examples, I sho
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=doi_dedup___::6c5ab223df360b8b0e658e518394f5d3
https://doi.org/10.7202/1070437ar
https://doi.org/10.7202/1070437ar