Zobrazeno 1 - 10
of 1 284
pro vyhledávání: '"Côme Martin"'
Autor:
Benoît Crucifix
Publikováno v:
Interfaces, Vol 45 (2021)
Externí odkaz:
https://doaj.org/article/869a9b4f04fd4ab1869ba2dd849418d6
Autor:
Crucifix, Benoît
Le format est souvent considéré comme un attribut de standardisation qui, en ce qu’il qualifie des usages normés, est imperceptiblement intégré au sein des pratiques et des expériences de lecture. Poussant le lecteur « à la limite de ses ha
Externí odkaz:
https://explore.openaire.eu/search/publication?articleId=openedition_::f787f0cc54f27b796b41a1b406da0160
http://journals.openedition.org/interfaces/2970
http://journals.openedition.org/interfaces/2970
Akademický článek
Tento výsledek nelze pro nepřihlášené uživatele zobrazit.
K zobrazení výsledku je třeba se přihlásit.
K zobrazení výsledku je třeba se přihlásit.
Autor:
Jean Sébastien, Côme Martin
Publikováno v:
Alternative Francophone, Vol 2, Iss 7 (2020)
Introduction au numéro co-dirigé par Côme Martin et Jean Sébastien sur la bande dessinée numérique
Externí odkaz:
https://doaj.org/article/6603a1aebf104c3bb914871ebfd2104e
Autor:
Côme Martin, Françoise Sammarcelli
Publikováno v:
Sillages Critiques, Vol 28 (2020)
Externí odkaz:
https://doaj.org/article/53afbc9c6f264089a8fd68c981a21f6e
Autor:
Côme Martin
Publikováno v:
Sillages Critiques, Vol 28 (2020)
Amongst comics created before and after 1900, historiography often picks Little Nemo in Slumberland, Krazy Kat and Yellow Kid as being part of canonical history and elevates these three works to the rank of classics. However, careful analysis shows h
Externí odkaz:
https://doaj.org/article/e5a2698f5bb9456998f19761327ab4f6
Autor:
Côme Martin
Publikováno v:
Comicalités (2019)
While the reception of comics today is more and more oriented to their conversation after reading, some productions offer a unique or difficult to reproduce experience to their readers. They share a foregrounding of their physicality which, because i
Externí odkaz:
https://doaj.org/article/69551b2f8ea642b0868df628f48bb52f
Autor:
Petit, Côme-Martin.
Th.--Méd.--Paris, 1805-05-01.
Voyez tome 14, n ° 452. Paris, an XIII.
Voyez tome 14, n ° 452. Paris, an XIII.
Externí odkaz:
http://catalogue.bnf.fr/ark:/12148/cb36919660n
Autor:
Côme Martin
Publikováno v:
Cahiers de Narratologie, Vol 34 (2018)
Chris Ware’s work displays an affinity for fragmentation, both in its narration and its chaptering, but remains conceived as a formal and aesthetic whole. It is particularly visible in the volumes of the Acme Novelty Library, which can nevertheless
Externí odkaz:
https://doaj.org/article/30b6476e7a424eb4a2a73ef00f6283d1
Autor:
Côme Martin
Publikováno v:
Sillages Critiques, Vol 24 (2018)
A book is by definition a closed and delineated shape, which explains why most literary narratives are linear: they begin on the first page and end on the last. However, though this form is the most conventional, many authors—James Joyce among othe
Externí odkaz:
https://doaj.org/article/e8e7a9ef7404434fb4fbab9e70a5f5d6