Micro-Raman and SER spectroscopy to unfold Lefranc's early organic pigment formulations

Autor: Gabrieli, F., Doherty, B, Miliani, C., Degano, Ilaria, Modugno, Francesca, Uldank, D., Kunzelman, D., Buzzegoli, E., Patti, Mattia, Rosi, F.

Publikováno v: Journal of Raman spectroscopy 47 (2016): 1505–1513. doi:10.1002/jrs.5052
info:cnr-pdr/source/autori:Gabrieli, F.; Doherty, B.; Miliani, C.; Degano, I.; Modugno, F.; Uldank, D.; Kunzelman, D.; Buzzegoli, E.; Patti, M.; Rosi, F./titolo:Micro-Raman and SER spectroscopy to unfold Lefranc's early organic pigment formulations/doi:10.1002%2Fjrs.5052/rivista:Journal of Raman spectroscopy/anno:2016/pagina_da:1505/pagina_a:1513/intervallo_pagine:1505–1513/volume:47

The introduction of synthetic dyes and pigments into commerce in the late 19th century was a stimulating time for experimental scientists in their laboratory formulations and for artists in their usage. Nowadays, the period of pioneering syntheses an

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=dedup_wf_001::afe20a76b1fc4ef988ab0dd78c770c29
https://publications.cnr.it/doc/363398

Image Spectroscopy Mapping Technique for Non-Invasive Analysis of Paintings

Autor: Casini, A., Lotti, F., Marcello Picollo, Stefani, L., Buzzegoli, E.

Publikováno v: Studies in conservation 44 (1999): 39–48.
info:cnr-pdr/source/autori:Andrea Casini, Franco Lotti, Marcello Picollo, Lorenzo Stefani, Ezio Buzzegoli/titolo:Image Spectroscopy mapping technique for non-invasive analysis of paintings/doi:/rivista:Studies in conservation/anno:1999/pagina_da:39/pagina_a:48/intervallo_pagine:39–48/volume:44
Scopus-Elsevier

Wideband and near-infrared reflectography is a familiar imaging technique for conservators. For many decades it has been the most effective method for providing an extensive knowledge of underdrawings, retouchings, and pentimenti. In this study, a na

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::0f9f87781eee320d46cca07beef87fda
https://doi.org/10.2307/1506694

Dietro al quadro. Le iscrizioni autografe di Grubicy come retroscena narrativo di un percorso artistico

Autor: D'AYALA VALVA, MARGHERITA

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od______4054::16b44af9b269df05ba138e27296a8d17
https://hdl.handle.net/11384/57988

Precetti e ricette. Evoluzione dialettica del pensiero critico di Grubicy fra idea e materia

Autor: D'AYALA VALVA, MARGHERITA

Il saggio parte dalla denuncia dei paradossi che costellano l’attività critica e pittorica di Grubicy, illuminanti nel tenere le fila del discorso sul Divisionismo italiano. Le questioni affrontate dal mercante, critico e pittore, partito da posiz

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=od______4054::5f3e0c5bf1465f22117a22194dab8759
https://hdl.handle.net/11384/57986