Urea glyoxal and urea melamine glyoxal wood adhesives hardened with acid ionic liquid for particleboard pressing

Autor: Ümran Burcu Alkan, Nilgün Kızılcan, Başak Bengü

Publikováno v: European Journal of Wood and Wood Products. 80:961-973

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::d13564472a8450f51f1bba8203933b74
https://doi.org/10.1007/s00107-022-01811-9

Rapid synthesis of polyester based single-chain polymeric nanoparticles via an intra-molecular aza-Michael addition reaction

Autor: Burcu Alkan, Ozgun Daglar, Binnur Aydogan Temel, Hakan Durmaz, Gokhan Temel

Publikováno v: Polymer Chemistry. 13:2442-2449

An alternative method to produce single-chain polymeric nanoparticles using the aza-Michael addition reaction of a linear polyester containing in-chain reactive triple bonds is introduced.

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_________::39ce5fbc2c3d98487233cf02751553d0
https://doi.org/10.1039/d1py01631h

UMBERTO ECO’NUN KRALİÇE LOANA’NIN GİZEMLİ ALEVİ VE MURAT GÜLSOY’UN NİSYAN ROMANLARINDA HATIRLAMA VE UNUTMA

Autor: Burcu Alkan

Publikováno v: Alkan, B 2022, ' Remembering and Forgetting in Umberto Eco’s The Mysterious Flame of Queen Loana and Murat Gülsoy’s Nisyan (Oblivion) ', Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi, vol. 62, no. 2, pp. 1353-1373 . < https://dergipark.org.tr/en/pub/dtcfdergisi/issue/73847/1104527 >
Volume: 62, Issue: 2 1353-1373
The Journal of the Faculty of Languages and History-Geography
Ankara Üniversitesi Dil ve Tarih-Coğrafya Fakültesi Dergisi
Burcu Alkan

This article compares Umberto Eco’s The Mysterious Flame of Queen Loana (2004) and Murat Gülsoy’s Nisyan (2013, Oblivion) in terms of how they explore the relationship between memory and selfhood. The unique multi-layered ways in which the novel

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::b774efb5234b18654ac15dd488ab3e43
https://doi.org/10.33171/dtcfjournal.2022.62.2.23

Embracing embodiedness, desire and failure: Women’s fluid gender performances in Sevgi Soysal’s oeuvre from the 1960s

Autor: Nazan Maksudyan, Burcu Alkan

Publikováno v: Maksudyan, N & Alkan, B 2022, ' Embracing embodiedness, desire and failure: Women’s fluid gender performances in Sevgi Soysal’s oeuvre from the 1960s ', Journal of European Studies . https://doi.org/10.1177/00472441221090705

The ‘women’s liberation’ of the global 1960s did not entail a full range of women’s rights, feminist politics and sexual freedoms in Turkey. On the contrary, the Turkish 1960s were characterised by a patriarchal heteronormative order that imp

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::707c99201b28177855058e80e9c3a2e7
https://research.manchester.ac.uk/en/publications/841b2145-9bf9-4236-824e-ab5a41226bf5

Attilâ İlhan’s Anti-Cosmopolitanism

Autor: Burcu Alkan

Publikováno v: Alkan, B 2021, ' Attilâ İlhan’s Anti-Cosmopolitanism ', Türk Dili ve Edebiyatı Dergisi (TUDED), vol. 61, no. 2, pp. 493-509 . https://doi.org/10.26650/TUDED2021-978320
Burcu Alkan

Attilâ İlhan (1925-2005) was an active public intellectual and a prolific author who wrote poems, novels, essays, and screenplays. While his poetics are marked by his distinct romantic style, his novelistic writing follows a strong social realist l

Externí odkaz: https://explore.openaire.eu/search/publication?articleId=doi_dedup___::5a5182084cc7a246c99f99537857c44b
https://doi.org/10.26650/TUDED2021-978320